Ernest Dion Wilson (No I.D.) Quotes
I've got a philosophy I call 'no dancing in the end zone.' You score, get back, and run another play.
 
					Quotes to Explore
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	That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.   
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	You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.   
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	It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.   
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	I would love to do a Broadway play. I would love to do big screen also, motion picture.   
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	I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.   
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	Philosophy can only be approached with the most concrete comprehension.   
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	As a matter of personal philosophy, I have generally said, 'Why not?' far more often than either 'Why?' or 'Not.'   
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	The debt we owe to the play of imagination is incalculable.   
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	Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.   
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	Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.   
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	When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.   
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	We should remember that there was once a discipline called natural philosophy. Unfortunately, this discipline seems not to exist today. It has been renamed science, but science of today is in danger of losing much of the natural philosophy aspect.   
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	My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.   
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	I've always refused to play terrorists.   
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	I wrote my first play when I was eight.   
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	Yeah, you know, I'm always into cassette. At least they seem to be the longest-lasting medium we used to have. I don't play cassettes much anymore, but I play records all the time.   
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	Experience without theory is blind, but theory without experience is mere intellectual play.   
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	I tend to play the dangerous characters, the boyfriend, that sort of thing.   
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	When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.   
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	I like to play cards. I'm not very good, because I don't want to calculate, I just play by instinct. But I've learned a lot of business philosophy by playing poker.   
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	In the time between records, I always have lots of stuff going on. I shoot photography, make little sculptures, play video games.   
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	I don't put faces on a dartboard. I just love the game, and I think I play it very well.   
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	Controversy is part of the nature of art and creativity.   
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	I've got a philosophy I call 'no dancing in the end zone.' You score, get back, and run another play.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					