Ernest Dion Wilson (No I.D.) Quotes
I've got a philosophy I call 'no dancing in the end zone.' You score, get back, and run another play.
Quotes to Explore
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Philosophy can only be approached with the most concrete comprehension.
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As a matter of personal philosophy, I have generally said, 'Why not?' far more often than either 'Why?' or 'Not.'
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The debt we owe to the play of imagination is incalculable.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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We should remember that there was once a discipline called natural philosophy. Unfortunately, this discipline seems not to exist today. It has been renamed science, but science of today is in danger of losing much of the natural philosophy aspect.
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My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.
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I've always refused to play terrorists.
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I wrote my first play when I was eight.
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Yeah, you know, I'm always into cassette. At least they seem to be the longest-lasting medium we used to have. I don't play cassettes much anymore, but I play records all the time.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I tend to play the dangerous characters, the boyfriend, that sort of thing.
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When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
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I like to play cards. I'm not very good, because I don't want to calculate, I just play by instinct. But I've learned a lot of business philosophy by playing poker.
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I have been gigging around Glasgow and Edinburgh since I was 12. I played in pubs at that age, even though I obviously was too young to be in them. So I used to hide in bathrooms, come out and play my set, then get the hell out as quickly as possible.
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Great is the issue at stake, greater than appears, whether a man is to be good or bad. And what will any one be profited if, under the influence of money or power, he neglect justice and virtue?
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Learn this lesson, that to be self-contented is to be vile and ignorant, and that to aspire is better than to be blindly and impotently happy.
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So every creative act strives to attain an absolute status; it longs to create a world of beauty to triumph over chaos and convert it to order.
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I've got a philosophy I call 'no dancing in the end zone.' You score, get back, and run another play.
