Ernest Dion Wilson (No I.D.) Quotes
After 'Resurrection,' I was getting calls for people to do work with me, and I was turning it down.
Quotes to Explore
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I want to see more Asians on TV. I want to see more faces like mine on TV.
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The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.
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I'm honestly all over the board. I think if I had to pick one, I'd probably say it's country first, but I listen to literally everything: country, pop, rock, rap.
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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Do not be bullied out of your common sense by the specialist; two to one, he is a pedant.
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Just keep taking chances and having fun.
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I always said that you can use the same vehicle although the driver will change, or the same vehicle to go for the race. It's a different driver, this is exactly what's happening to the cabinet.
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Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.
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Our people have proven their desire for continuing with reforms. We complete the march today with those who have an honest patriotic desire for more progress and reform.
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I will be happy with certainly when the corruption index improve.
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I'd love to do a movie with Denzel Washington, or some action star such as Matt Damon or Mark Wahlberg would be really cool, too.
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I write about real life as it is lived by the young American Muslim women that I've had the pleasure of meeting throughout the course of my travels as a writer and being able to speak in different places and meet different people at signings and things.
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If you work out 20 minutes a day in some way, you're going to see changes.
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When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
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My morning begins with trying not to get up before the sun rises. But when I do, it's because my head is too full of words, and I just need to get to my desk and start dumping them into a file. I always wake with sentences pouring into my head.
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There are instances where you're in a space with someone who has been extraordinarily successful, and they don't necessarily connect with you as another person. You can be a prop for them to deliver their stuff, and you're just another element in the scene.
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Charles Barkley, Clyde Drexler and I used to argue for hours about who the best athletes are. I thought football players were better overall.
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The time of illusion, then, is the beautiful moment of passion; it represents the artistic zone in which the poet or romance writer ought to be free to do the very best that he can.
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But when it comes to writing the thing that I've sort of been thinking about lately, is why? You know, is it rational? Is it logical that anybody should be expected to be afraid of the work that they feel they were put on this Earth to do.
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If you can have a great story that people can follow the mystery and get the suspense, and then you have those moments of tension and a splash of visual fun, then you kind of get everything. You get your money's worth.
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There are comics who treat women fairly appallingly. But I can be great friends with them because I don't tend to do that ticking of boxes: it can make life too simplistic.
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I work toward the liberation of women, but I'm not feminist. I'm just a woman.
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But maybe because the dot-com world gives people positions at a younger age, and many women are prominent in this business, it will help change the view about who can run big companies.
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After 'Resurrection,' I was getting calls for people to do work with me, and I was turning it down.
