Lamorne Morris Quotes
In TV, you're always confused because you legitimately don't know what you're doing the next week.
Quotes to Explore
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
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This is my journey. If I fall, I have to pick myself up. If I'm not getting the playing time I want, it's up to me to figure out why.
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I was raised Catholic in Rockford, Illinois. But I'm not a practicing Catholic anymore. Oh God, no.
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What brought the British to the Gambia in the first place - which was bigger than it is now - was trade in ivory because the Gambia had a lot of elephants. They wiped out all the elephants and ended up selling Africans.
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Everyone at Junction Point has been inspired by the creative folks at Pixar and Disney Feature Animation to make 'entertainment for everyone.'
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I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.
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Fear is the dark room where the Devil develops his negatives.
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I think everyone remembers how certain Russian bureaucrats used to work against the Ukrainian opposition; I think it is hard to drop old habits.
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We are all murderers and prostitutes - no matter to what culture, society, class, nation one belongs, no matter how normal, moral, or mature, one takes oneself to be.
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I think it's important that things are flawed.
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All previous populist movements were demanding things from governments, whereas the Tea Party is saying, 'Give us less, go away.' That's heartening to see.
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I have been extremely lucky with reviewers and critics throughout my career.
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The single worst moment of my life... was the moment I was born.
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There's a smartphone gait: the slow sidewalk weave that comes from being lost in conversation rather than looking where you're going.
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The whole fame question is one that is constantly intriguing to me. I think that fame is something that other people create about you. Whether you jump into that or not is up to you – and whether you have the talents for jumping into it or not.
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I miss submitting people; I have a lot of confidence in my jiu-jitsu.
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On my show 'One on One', I interview leaders from around the world - in politics, business, art. My other show, 'Her Village', is more like 'The View'.
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Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.
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As a teenager, I put a lot of pressure on myself, and a lot of that, for me, was about finding a moral high ground. As I've grown up, I've decided to abandon that because it made me judgmental and also stressed me out.
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I stress out so much about the red carpet and interviews and pictures, and, you know, not getting my skirt tucked in my knickers.
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I don't know why, but I'm an easy target. And I don't do anything to dispel it.
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I've always loved mysteries, the something there that you didn't know, and with 'Case Histories' I just decide to make that more up-front.
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In TV, you're always confused because you legitimately don't know what you're doing the next week.
