Eduardo Chillida Quotes
Quotes to Explore
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I find it difficult to turn down an entrepreneur who's both passionate and knowledgeable about their space.
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I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
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I get carded for soda, you know, when I go to the supermarket. I mean, they card me for everything. You know, I can't even get through a hand of black jack without getting carded, like, five times.
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Bollywood has always pampered heroes and treated actors as second class citizens. But, of late, it has realised that there has to be space for actors who can connect with people.
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I'm against abortion. On the other hand, I believe in a woman's choice.
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On one hand, we know that everything happens for a reason, and there are no mistakes or coincidences. On the other hand, we learn that we can never give up, knowing that with the right tools and energy, we can reverse any decree or karma. So, which is it? Let the Light decide, or never give up? The answer is: both.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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Because I spent many years during my previous life as an academic researching game theory, some commentators rushed to presume that as Greece's new finance minister, I was busily devising bluffs, stratagems and outside options, struggling to improve upon a weak hand. Nothing could be further from the truth.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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In art, the hand can never execute anything higher than the heart can imagine.
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We owe something to extravagance, for thrift and adventure seldom go hand in hand.
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I'm always looking for complicated characters in fiction about whom I can feel a dozen feelings at once - in the space of a single paragraph, even.
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That's the premise of the Saudi Arabians. He's holding the president's hand with one. In the other hand, he's got his hand in the pocket of American consumers.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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During that space walk there will be some repositioning of the power so that the arm can be fully controlled by the robotic station that is in the Lab.
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The way the business things work in Russia is you have to meet people, you have to go through a certain amount of etiquette and business things are done just simply by a shake of the hand and whether they like you or not.
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Most visions of extraterrestrial life are actually steeped in human hubris. The fictional extraterrestrials of 'Star Trek' or a hundred other space operas are less alien than many of my neighbors. And funny, the ones running the place are mostly WASPish men.
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Until space tourism is a destination-based business (e.g. flights to a private space station or to the moon), will flyers pay to fly more than once after having earned their astronaut wings? The answer to this is likely very dependent on the experience itself.
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Anything that activates the joy center in the brain makes you happy, and therefore protects you. Oddly enough, that's what they do in 'Harry Potter': The nurse gives the kids chocolates when they've been near the Dementors!
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Tribal life comes automatically to an end when a primitive people begins to live in a town or a city, for sooner or later a tribal organization is found to be incompatible with life in a city.
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What is important, however, is that each day individuals are acquiring ever more consciousness of the need for their incorporation into society and, at the same time, of their importance as the motor of that society.
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'Tracks' is based on the book by Robyn Davidson who, in the mid-Seventies, decided to leave the city, go to the outback, learn to train camels and walk across the Australian desert to the ocean: a journey that is about two thousand miles and will take about six or seven months.
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The hand has the richest articulation of space.
