Victoria Pendleton Quotes
Even though I've won numerous titles and an Olympic gold medal, there are still so many faults in my performance that I can honestly hardly bear to watch the videos back.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.
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I think the mental victory is worth it as much as a gold medal.
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What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.
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You're going to see this 'Internet of things' start demanding network performance and making the networks much more aware of what is on top of them.
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I am a freestyle mogul skier who, on February 13, became the first American to win a gold medal at the 2010 Vancouver Olympics.
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My favorite animal is a polar bear. They're going extinct, and I really don't want that to happen.
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When the dollar was separated entirely from gold in 1971, it ceased being the official IMF world currency and finally had to compete with other currencies... From that point forward, its value increasingly became discounted.
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You have to always physicalize, when you do animation recording. Otherwise, you won't get the performance right.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
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Not only am I constantly seeking better performance but also to be a better person, to be respected.
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The Devil is like a strainer that separates the mud from the gold.
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I would love to do a live show with dancers and fashion and scenic elements - definitely bring my love of the theater to a concert-style performance.
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The euro is a hybrid of a fixed exchange-rate regime, like the 1980s ERM or the 1930s gold standard, and a state currency.
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Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
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In 1925, when Britain went back to the gold standard, that was supported by the Conservative Party, the Labour Party, the Bank of England, the civil service, the CBI, the TUC, the Times, the Economist; that consensus was very strong.
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I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
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The active and abandoned tailings ponds I have photographed, for example, are strangely beautiful - yet they are also chock full of cyanide, which is used in the recovery of microscopic particles of gold from the waste tailings of copper mines.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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Dealing with those personalities and the people who run this music thing has been most challenging. It's hard to really communicate things to people who run a business yet forget the nature of the business. They only look at the bottom line and the financial return, you know, they forget what it is they're packaging. It's art.
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If you speak to any soldier, even now, they say they are fighting for their friends. It always ends up that they're fighting for the man next to them.
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Even though I've won numerous titles and an Olympic gold medal, there are still so many faults in my performance that I can honestly hardly bear to watch the videos back.
