Victoria Pendleton Quotes
There's footage of me bouncing around, all uncoordinated, trying to work out how on earth you're supposed to do a rising trot on a really extravagant moving eventing horse.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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Los Angeles is a city known as much for it's sun as for its stars and it's dirty air.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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Our mission is to help founders and anyone or anything that helps founders helps us with our mission.
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My life has been forged by middle class values: faith, hard work, deep respect for America and all that she stands for.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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I haven't actually studied acting at all.
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The best way to preserve your privacy is to use a search engine that does not keep your logs in the first place. That's the approach used by Startpage and its European parent company, Ixquick.
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Service to others seems the only intelligent choice for the use of wealth.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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I can work as a writer, but I wanted to do stand-up.
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I started studying at 26. Before that, I never thought of acting as something that I would ever try.
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I wanted to live the life, a different life. I didn't want to go to the same place every day and see the same people and do the same job. I wanted interesting challenges.
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I love to play chess. The last time I was playing, I started to really see the board. I don't mean just seeing a few moves ahead - something else. My game started getting better. It's the patterns. The patterns are universal.
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I'm lucky in some ways in that I really don't need more than five or so hours of sleep.
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He who binds his soul to knowledge, steals the key of heaven.
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Gadhafi was a monster who ruled his country for 42 years with an iron fist and became an international pariah as a result. However, he found religion once he recognized his perilous position when the U.S. adopted an uncompromising response to international terrorism following 9/11.
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Our country must be strong enough to solve problems, and that means we must learn how to work together again.
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I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.
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Friends are very understanding when you tell them in April that you can see them next September, but there is a limit to how long you can go on like that.
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The hard part is getting to the top of page 1.
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There's footage of me bouncing around, all uncoordinated, trying to work out how on earth you're supposed to do a rising trot on a really extravagant moving eventing horse.
