Adrian Piper Quotes
One reason for making and exhibiting a work is to induce a reaction or change in the viewer.... In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.
Quotes to Explore
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Every audition I get, I agonise over and I put everything I can into it.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
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I'm dyslexic, and it takes me longer to memorize and to embody the character so I can really own it.
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I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
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Thus, neither my government nor myself, personally, are without ideals and responsibilities.
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No matter who the prime minister is, incremental changes take place. The economy moves on.
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The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.
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I'm not really massively into going out. I'm much more of a hibernator. It's nice to have people come to your house or go to someone's house, I think.
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There's so much fakeness in the fashion world, but Mum and Dad have always given us a good work ethic and were quite worried at first about whether I could make a living from acting. They've been together for 29 years and share the same values. I really do want to have that kind of marriage myself.
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I believe that there are human stocks with whom it is physically unwise to intermarry, but to think that these stocks are all colored or that there are no such white stocks is unscientific and false.
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No day is alike, nor should it be.
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I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.
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Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
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The thrill of achievement comes from overcoming adversity in the accomplishment of an important goal.
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The greatest treasures of your life are associated with the people you love and who love you in return.
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Don't use a different dish for every single ingredient. If you've got three ingredients that go in at the same time, put them all in the same plate. That way you have just one plate to dump in.
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I would rather fight with my hands than my tongue.
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What stuns me most about contemporary politics is not even that the system has been so badly corrupted by money. It is that so few people get the connection between their lives and what the bozos do in Washington and our state capitols.
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The period of youth is the glory of nature, and the healthful development of all the resources of strength deposited in our nature is the glory of youth.
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I sometimes look into the face of my dog Stan and see a wistful sadness and existential angst, when all he is actually doing is slowly scanning the ceiling for flies.
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In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to get this low-level feedback, and if I leaned forward, and the guitar hung off my body, it would resonate differently.
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One reason for making and exhibiting a work is to induce a reaction or change in the viewer.... In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.
