Mila Kunis Quotes
It doesn't matter if you're play-pretending crying or play-pretending laughing, you're still play-pretending.
Quotes to Explore
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People my age don't always know where their music comes from.
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Love, in the eyes of the world, is either a carnal appetite or a vague fancy, which possession extinguishes or absence destroys. That is why it is commonly said, with a strange abuse of words, that passion does not endure.
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Children refuse to compromise. Adults learn how.
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Contemplation and wisdom are highest achievements and man is not totally at home with them.
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I listen to music almost any time I'm not sleeping, 'hanging out' with specific people, or showering.
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Sometimes I wake up in the middle of the night and wonder how I do these things. I can embarrass myself so badly that I literally get a hot prickle down the back of my neck.
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The consumption and production of energy is a major component of the global economy.
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As far as things I avoid, I always avoid following trends just because they're trends.
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My form remains one, though the matter in it changes continually. I am, in that respect, like a curve in a waterfall.
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In any marginalized community, whether people identify themselves or not affects us all.
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I don’t have all the answers. I don’t know anyone who does. But this is certain: too many people have lost their lives who shouldn’t have.
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Choose your parents wisely.
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Besides regular exercising, one should also take care of his or her daily habits such as adequate sleep and drinking lots of water.
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I feel like if I've written a song about something I haven't experienced, I wouldn't be able to perform it properly, and people would be able to see that. People can see right through that.
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'7 Years' seems to have attracted a lot of age groups - people seem to see their own lives in the song, and it's great to see so many people reacting in that way to it.
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I want to force the other drivers to find a way past me.
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There is no single theory that is used in economics that considers the finite nature of resources. It's shocking.
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I was famous in a way that was kind of terrifying. I had no protection. When reporters showed up at my house, there wasn't even a sidewalk. They were literally parked on my front lawn.
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I really just try to focus on my job, which is to be an actor, and outside that, the cards fall where they may, and on not getting caught up in how people react to certain things. That's a death trap creatively.
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I came to Southbury because I wanted to live a more simple life. When I was a child, I saw lots of movies about happy people living in Connecticut. And ever since then, that was where I wanted to live. I thought it would be like the movies. And it really is. It's exactly what I hoped it would be.
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The truth is always an abyss. One must — as in a swimming pool — dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order to later rise again — laughing and fighting for breath — to the now doubly illuminated surface of things.
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Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works.
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I realized that for many people attending a reading is like watching television at the end of a long day. They don't want to be sad but to laugh. Chances are they'll pick the sitcoms over the horror movies. So I learned that, while one's larger body of fiction can have quite a bit of sadness and conflict and tragedy in it , in a reading environment, the average audience member seems able to tolerate only a little bit of sadness. They'd much rather the reading be sexy, funny, and witty. Life is hard these days. There's more than enough sadness in the world, so I can't blame them.
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It doesn't matter if you're play-pretending crying or play-pretending laughing, you're still play-pretending.
