Agnes Meyer Driscoll Quotes
Quotes to Explore
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I feel like most creative people are total freaks.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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It didn't help my career to be living in Appalachia.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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I'm living so far beyond my income that we may almost be said to be living apart.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
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I wake up every morning knowing how ridiculously lucky I am to be able to do what I love for a living, and that sense of wonder never, ever wears off.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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Bruce always had to tell a lie. He was always living that lie. Caitlyn doesn't have any secrets.
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Your man Flavor Flav is living!
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My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.
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I think about my dwindling anonymity, and that's really scary because a very large part of me would be perfectly happy living on a ranch in Colorado and having babies and chickens and horses – which I will do anyway.
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I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
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Would any one believe that I am master of slaves by my own purchase? I am drawn along by the general inconvenience of living without them.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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Because the living environment is what really sustains us.
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I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
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And all meet in singing, which braids together the different knowings into a wide and subtle music, the music of living.
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Knowing how to do things not just with the head, but with the hands as well: this might seem a programmatic and ideological goal. It is not. It is a way of safeguarding creative freedom.
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My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
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Tension is a prerequisite for creative living.