Agnes Meyer Driscoll Quotes
Quotes to Explore
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I feel like most creative people are total freaks.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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It didn't help my career to be living in Appalachia.
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Well, my type is obviously creative. Creative, with burning eyes and a pretty mouth.
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I'm living so far beyond my income that we may almost be said to be living apart.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
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I wake up every morning knowing how ridiculously lucky I am to be able to do what I love for a living, and that sense of wonder never, ever wears off.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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Bruce always had to tell a lie. He was always living that lie. Caitlyn doesn't have any secrets.
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Your man Flavor Flav is living!
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I write in freehand equivalents because measuring, to me, takes away from the creative process of cooking. Two turns of the pan with EVOO is about two tablespoons.
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My dad was a journalist. He was in Rwanda right after the genocide. In Berlin when the wall came down. He was always disappearing and coming back with amazing stories. So telling stories for a living made sense to me.
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I think about my dwindling anonymity, and that's really scary because a very large part of me would be perfectly happy living on a ranch in Colorado and having babies and chickens and horses – which I will do anyway.
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I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
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Would any one believe that I am master of slaves by my own purchase? I am drawn along by the general inconvenience of living without them.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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My aim in photography is always to convey a mood and not to impart local information. This is not an easy matter, for the camera if left to its own devices will simply impart local information to the exclusiveness of everything else.
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I came up during the 'Star Wars' generation and that was sort of the thing I plugged into much more. It was a little before my time and I think it was sort of grappling with these intellectual ideas that were a little advanced for my young mind. At the time. But now I have a much deeper appreciation for it.
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At the cross God wrapped his heart in flesh and blood and let it be nailed to the cross for our redemption.
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I started playing video games, and in 1978 I discovered Dungeons & Dragons and started game-mastering and writing my own adventures and creating my own worlds.
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Tension is a prerequisite for creative living.
