Edith Cavell Quotes
Quotes to Explore
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A lot of people don't get second chances.
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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There is but one man to whom I am willing to entrust their future and that man's name is George Bush.
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There's no such thing as too much. If there's too much, then that's a great thing.
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London has the advantage of one of the most gloomy atmospheres in the world.
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To be joining 'The Hunger Games' family is such a thrill. It deserves the hype because it's well written, handles really big subject matter, but doesn't talk down to its audience. And then there's the romance element.
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Tantra is a great yea-sayer; it says yes to everything.
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I believe that it is as much a right and duty for women to do something with their lives as for men and we are not going to be satisfied with such frivolous parts as you give us.
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I know for sure that nothing is guaranteed. Life always changes. I know for sure that I'm open to all possibilities always... let's just say my life is never boring.
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And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.
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Hamdan Sports Complex is an amazing venue, and I think all the players will love it.
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It's all about learning your craft and honing it in and really paying attention to people who are doing it and what their advice is. It's like anything: it takes years and years and years. A lot of it comes down to work ethic.
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I grew up writing about the paranormal, and I blame too many Saturday mornings watching 'Scooby Doo.'
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I work harder than every single person I know, and the only person that is on the same level as me is my brother. If you look at the top social media stars, it's me and him. I think that's our advantage. We're not the prettiest; we're not even the funniest, we're not the wittiest, whatever it is.
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An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict.
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I was born on 22 March 1931 in New York, the elder child of Abraham and Fanny Richter.
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Sincerity: if you can fake it, you've got it made.
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I don't want to become a superstar and not see my family anymore.
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In 'Star Wars: Episode II,' when Jango Fett is chasing Obi Wan Kenobi through an asteroid field, they needed a big asteroid to shatter into a million pieces, and I had to figure out how to do the fracturing, write the code, and show an artist how to use it.
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To see others suffer does one good, to make others suffer even more: this is a hard saying but an ancient, mighty, human, all-too-human principle [....] Without cruelty there is no festival.
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In bed our yesterdays are too oppressive: if a man can only get up, though it be but to whistle or to smoke, he has a present which offers some resistance to the past—sensations which assert themselves against tyrannous memories.
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Sometimes I feel like those born-again folk, always working on their faith, but I'm always working on my atheism. We all have our struggles.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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I realize that patriotism is not enough. I must have no hatred toward any one.
