Naomi Wallace Quotes
I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.
Quotes to Explore
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'Downton' is one of the best jobs in the world, and I'm looking forward to the next series for Maggie Smith's wicked sense of humour.
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I worked from 10 p.m. until 1 a.m. every night for a year to write the first 'Chicken Soup for the Soul' book.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I act for love. I give it my all. I would probably still do it even if I wasn't paid at all. But in terms of equal pay, I need to be paid the same as the guy who has equal billing with me. Otherwise, I won't do it. Because if you accept less, you're just letting everyone else down and continuing the cycle.
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I hardly ever stretch the canvas before painting.
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No one's gonna give a damn in July if you lost a game in March.
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The sort of poetry I seek resides in objects man can't touch.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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When I had worked on my first book, I had readily shown bits and pieces to everyone - for encouragement, to force myself to write.
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Architecture is unnecessarily difficult. It's very tough.
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Biochemistry is the science of life. All our life processes - walking, talking, moving, feeding - are essentially chemical reactions. So biochemistry is actually the chemistry of life, and it's supremely interesting.
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The fitness builds the foundation for me as an actor to have clarity. Fitness has always been the base of where I start off as a performer.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do.
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I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
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I played football. I wrestled. Those were team sports and I played for the school. When I was younger, I played kick the can and stuff like that. I loved that.
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The movie industry is committed to working with the technology sector to find innovative new ways to deliver entertainment to consumers.
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I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
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But what I'm very interested in, whether it's writing, whether it's hosting a show, whether it's cooking food, I'm just into the discussions of identity, culture and the politics of culture.
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SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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The costs were greater than anticipated to the tune of, I would say, hundreds of millions, ... The slippages were actually more dramatic than the costs. As we slipped, the costs were pushed to the right.
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I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.
