Naomi Wallace Quotes
I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.
Quotes to Explore
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'Downton' is one of the best jobs in the world, and I'm looking forward to the next series for Maggie Smith's wicked sense of humour.
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I worked from 10 p.m. until 1 a.m. every night for a year to write the first 'Chicken Soup for the Soul' book.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I act for love. I give it my all. I would probably still do it even if I wasn't paid at all. But in terms of equal pay, I need to be paid the same as the guy who has equal billing with me. Otherwise, I won't do it. Because if you accept less, you're just letting everyone else down and continuing the cycle.
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I hardly ever stretch the canvas before painting.
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No one's gonna give a damn in July if you lost a game in March.
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The sort of poetry I seek resides in objects man can't touch.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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When I had worked on my first book, I had readily shown bits and pieces to everyone - for encouragement, to force myself to write.
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Architecture is unnecessarily difficult. It's very tough.
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Biochemistry is the science of life. All our life processes - walking, talking, moving, feeding - are essentially chemical reactions. So biochemistry is actually the chemistry of life, and it's supremely interesting.
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The fitness builds the foundation for me as an actor to have clarity. Fitness has always been the base of where I start off as a performer.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do.
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I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
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I played football. I wrestled. Those were team sports and I played for the school. When I was younger, I played kick the can and stuff like that. I loved that.
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The movie industry is committed to working with the technology sector to find innovative new ways to deliver entertainment to consumers.
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I hear so many complaints to the effect that Negroes do not take advantage of the educational opportunities offered them. Well, one of the reasons why more of my race do not go in for higher education is that as soon as one of us gets his head above the crowd there are millions of feet ready to crush it back again to that dead level of commonplace thus creating a racial deadline of culture in our Republic. For how am I to compete with other American artists if I am not to be given the same opportunity?
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The die-hard opinions of George III couched in the language of Edmund Burke.
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I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, "Oh! Everything has a point, and if it doesn't, then there's a point to it".
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I am somebody who usually writes out the rough draft in longhand. Then I type it into the computer, and that is where I do my editing. I find that if I write it on the computer, I go too quick. So I like getting that first draft out and then typing it in; you are less self-conscious about it.
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I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.
