Milos Forman Quotes
Ideological pressure is much more crippling than commercial pressure. Crippling to your own freedom of thinking and creating, crippling the final results. If you wanted to succeed during the really hard-line totalitarian regime, you have to make so many compromises to please the censors that you don't recognize the original idea from the final result.
Quotes to Explore
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A president can't go to every memorial service.
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A creator needs only one enthusiast to justify him.
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I want to say that probably 24 hours after I told CBS that I was stepping down at my 65th birthday, I was already regretting it. And I regretted it every day since.
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Women's Lib? I couldn't stand it.
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Commencement speeches were invented largely in the belief that outgoing college students should never be released into the world until they have been properly sedated.
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I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
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I grew up in Wisconsin loving hockey. I mean, I started when I was three years old on skates.
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Teaching sometimes seems like not one profession, but every profession. We ask them to be doctor and diplomat, calf-herder, map-maker, wizard and watchman, electricians of the mind.
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You can promote fights - of course, you have to - you can say 'I'll beat you' or whatever, but you cannot put family, religion, anything like that in the mix. You need to separate things. That is a line a lot of fighters cross.
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You want to throw yourself in as many uncomfortable places as possible, if you want to build muscles in uncomfortable parts of your body and grow as an artist.
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Lo que me digo, ¿quién lo dice?
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Some critics will write 'Maya Angelou is a natural writer' - which is right after being a natural heart surgeon.
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You can't be aware of everything. You'd fall down the stairs if you were aware of every intricate thing involved in going down stairs.
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A lot of artists have a lot of different ventures, I think it's typical for a hip hop artist, at this point, to have a bunch of different ventures.
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Death has this much to be said for it: You don't have to get out of bed for it. Wherever you happen to be They bring it to you—free.
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A misanthrope I can understand - a womanthrope never.
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What remarkable strength is shown by the person who can lay aside personal prejudices and work without friction with a group of individuals with whom he or she is not in accord on many subjects.
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But as the arms-control scholar Thomas Schelling once noted, two things are very expensive in international life: promises when they succeed and threats when they fail.
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I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
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You don't always get lucky enough to have songs that can breathe and shift meaning. But every once in a while you open up a window and something passes through. It's really nice for me when I discover those songs in my catalogue. It's one of the reasons I try not to get too specific about what my songs mean.
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If someone could actually prove scientifically that there is such a thing as a supernatural force, it would be one of the greatest discoveries in the history of science. So the notion that somehow scientists are resisting it is ludicrous.
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Ideological pressure is much more crippling than commercial pressure. Crippling to your own freedom of thinking and creating, crippling the final results. If you wanted to succeed during the really hard-line totalitarian regime, you have to make so many compromises to please the censors that you don't recognize the original idea from the final result.
