Abraham Lincoln Quotes
Quotes to Explore
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The main reason I wanted to be successful was to get out of the ghetto. My parents helped direct my path.
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Irony is a clear consciousness of an eternal agility, of the infinitely abundant chaos.
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I was a huge ham in school in Atlanta.
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Houston is kind of a melting pot. There are many different cultures and ethnicities represented out there, even on my team. It's really cool: you'll see so many different things.
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Unrequited affection is very painful for the lover, but it can have unexpected, creative consequences.
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There is a supply for every demand.
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I like a guy who uses his hips when he's dancing.
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If Adele's seen as boring, then I'm happy to be boring as well.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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Everybody was in struggle, in the grind trying to make it.
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Imperialist enterprise draws political consequences.
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When I was a teenager, I learned to play the trumpet. Music became my passion.
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One way the Tea Party has benefited female candidates - and the conservative movement generally - is by consciously steering clear of social issues.
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Reason has always existed, but not always in a reasonable form.
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I'm not proud to be me, I'm not excited to be me, but I find that I am me, and like most other individuals, I send out little signals; I tell everyone else how everything looks from where I am.
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I'm slammed with an identity that can no longer say a word; mute with responsibility.
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I want my legacy to be about the soccer, and if I can help people be happier in life in any capacity, awesome.
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I'm trying to be more organized, put together, and be more kind to myself. I'm really hard on myself and really just self-critical and always striving for this perfection which doesn't exist.
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I've said it before, and I'll say it again. I've written 29 damn plays. Isn't that enough?
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Putin recognized that if he could get enough money, everything would be under control.
Garry Kasparov -
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
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It is better to go down in infamy than to never go down at all.
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In f-major, c* is a sonority contained within the overtones of the tonic f*.
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A man's legs must be long enough to reach the ground.
