William Friedkin Quotes
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.

Quotes to Explore
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Working with Terry Gilliam was magic - I've been watching his films since I was little.
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The mirror to the beautiful is beautiful.
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American audiences are great. They get what I am doing, but as my band will tell you, nowhere tops the Irish audience. They are just brilliant. They are very open, but the Americans and Spanish come a close second.
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It's quite rare that you find models taken care of backstage.
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I want to pursue a career in film.
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Religious ideas about good and evil tend to focus on how to achieve well-being in the next life, and this makes them terrible guides to securing it in this one. Of course, there are a few gems to be found in every religious tradition, but insofar as these precepts are wise and useful they are not, in principle, religious.
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Insight enables you make sure you don't allow negative beliefs to get permanently set in your thinking - just the same way you wouldn't want fractured bones to be permanently set into place.
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I ain't just collab-ing with anybody. Because I don't care about making friends. I got enough friends.
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I didn't have a thing to do with picking a coach, and didn't want to. But I didn't think they'd pick one I didn't like.
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Time and again we see leaders and members of religions incite aggression, fanaticism, hate, and xenophobia - even inspire and legitimate violent and bloody conflicts.
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I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
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I acted when I was a real little kid. My mother was an actress in a Miami theater company comprised of actors from Cuba like her and I was the default kid.
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I was doing things that weren't good for me. So I checked into the Churchill Priory clinic. It was the best thing I've done for ages.
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I've always gone for the more sensitive, bookish guy, totally. The jock boys, the sporty guys, I don't know... they just didn't do it for me.
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It simply isn't acceptable for the likes of Google, Facebook, Amazon and others, which amass data by the terabyte, to say, 'Don't worry, your information's safe with us, as all sorts of rules protect you' - when all evidence suggests otherwise.
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I cannot even remember a time before being conscious of James Bond.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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Recently, a friend sent me the online musings of a televangelist who advised his thousands of followers that the Federal Reserve achieved satanic ends by manipulating the world's money supply. Paranoia has replaced piety.
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I number my drafts, and by the time a book is done, I'll have 75 or 80 drafts of some sections.
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Mental silence is the perfect response to a challenge.
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Cutting edge, breakthrough, television. That's what we want to do.
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We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.