William Gibson Quotes
I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
Quotes to Explore
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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Do we really want Washington administrators coming between us and our doctors?
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Team members need to learn to leverage one another, and that doesn't happen over a golf game or on a phone. It happens by getting together and taking the time to know each other.
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I definitely love Australia. I've been to Sydney and Melbourne a couple of times, and I love those places.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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I love 'Chaplin'; I mean I really love 'Chaplin.' I just think there's a grace and an elegance that's almost never been matched.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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Falling out of love is chiefly a matter of forgetting how charming someone is.
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Public opinion is a permeating influence, and it exacts obedience to itself; it requires us to drink other men's thoughts, to speak other men's words, to follow other men's habits.
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Since I became Secretary-General, five years ago, I have seen youth participate at the United Nations as never before.
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I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.
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There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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We have ministers who are incapable of doing what has been ordered from above because there is no follow up, because there are no consequences. If you are poor man and you steal, your hand is cut off after three offences. But if you are a rich man, nobody will say anything to you.
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I think people who have good parents come into the world with a strength, yes, and an advantage.
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Travel, of course, narrows the mind.
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For me, integrity is the consistency of words and actions. Part of the way that you do that is to ask people questions on some of the most difficult issues that you confront. 'Take me through where you felt you had to compromise your values.'
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A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
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I had the idea of a boy who was a wizard and didn't yet know what he was. I never sat down and wondered, "What shall I write about next?". It just came, fully formed.
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He who defends everything defends nothing.
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Somebody hits me, I'm going to hit him back. Even if it does look like he hasn't eaten in a while.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
