Randy Cross Quotes
Quotes to Explore
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Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
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The views of religious-Zionist rabbis are of course worthy of being heard, yet they represent a very defined and very narrow camp within the Israeli spectrum. This is not the way to shape the perception of future division and brigade commanders.
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I did what I could to inflate the rumor I was on my way to stardom. What I was on my way to, by any mathematical standards known to man, was oblivion, by way of obscurity.
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There is no 'natural' order, only the way things are.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I knew that we were clicking when mimics started kidding my voice, I'll know that I'm on the way out when they stop doing their imitations.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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What a liberation to realize that the 'voice in my head' is not who I am. 'Who am I, then?' The one who sees that.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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The quickest way may not necessarily be the best.
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Regulators are going to have to come up with a way to treat Bitcoin that is balanced and thoughtful but also recognize that this is a global phenomenon.
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I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
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My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.
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I hate the way chorus boxes sound.
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I really like the way Fox handles their shows.
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One, I push my deadlines closer than anybody else, or let's say it this way: I'm really late.
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The way it works at Julliard is that you just perform with people who are in your own class.
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Africa has been going through so much for so many years; it's time that it stands up the way other nations are standing up.
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The 1980s were such a shock for me. I was really young, obviously, and The Slits were just mutilated. We were totally sabotaged to such a point that we were put out in exile. So that was the best way for me to spend the '80s: in the jungle, naked. Maybe there are more options now, and there's more girl groups. The only thing good that came out of the '80s was breakdancing.
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But I think the only thing that annoys me about that is if I suddenly find someone on commercial radio or something like that, mimicking my voice or actions and trying to promote a product and pretending it's me doing it.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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One voice is the only way to go.
