William H. Macy Quotes
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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Film has to describe and show.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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It would be great to make a movie that had the style of a great '30's film.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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We're not trying to take power away or rule anybody - we're just trying to get up from under the rulers.
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I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you're playing a builder you get to know about building, if you're playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive... that's part of the reason I love it.
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Unable to maintain their government-granted monopoly, the powerful railroad interests turned to government to do the regulating and price-fixing which they were unable to do themselves. In fact, the pressure that induced Congress to enact the Interstate Commerce Act of 1887 did not come from reformers bemoaning abuses by the powerful railroad interests; it came from the railroad interests themselves, asking Congress to shield them against the harsh winds of competition.
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One of the things I did early on in film was over-enunciate and talk too loud.
