William H. Macy Quotes
Quotes to Explore
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I am a Buddhist.
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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
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Weight issues, race issues will always be there and if you allow them to get to you and you allow them to affect you then yes they affect you. But my thing is I have so many other things to worry about I can't worry about other people's perception of me.
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Actors, to a certain extent, never grow up, you see. It's an extension of being out in the back yard with a stick, only you're being paid to do it. It's borderline madness.
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I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
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Each dress symbolizes the age that it's appropriate for.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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I love boats. I can be on a boat for days.
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We must all learn to adjust with our surroundings.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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I grew a reputation for always asking questions and being nosy.
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I think there's nothing more amazing than helping people every day.
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My happiest moments of growing up in the Bronx were when my mom would bring home a new sports magazine from the candy store. I would jump out of bed and grab it from her. Then I'd rip the front cover right off and tape it to my bedroom wall.
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I will eat disgusting things, but only those with long established culinary traditions.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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The best migrant is the migrant who does not come.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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There is lots of pressure to make a GOOD film. And not just a GOOD film but one that will somehow stand out in the sea of GOOD films.
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Remember when Jay-Z wore a Che Guevara T-shirt? Nobody knew who Che was. Then Jay-Z wears it, and it's everywhere.
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There are so many ways of classifying our tendencies, but I think one of the most telling must be this: there are those of us who do not wrestle very often or for very long with our appetites, who can simply say, Enough, and walk away, and those of us who are constantly at odds with how much we desire and what we actually allow ourselves. The gay between desire and restraint: here rages the river of discontent, one that often threatens to overflow its banks.
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When I watch a film I get swept away. I don't really watch the camera.
