William Franklin Beedle Jr. (William Holden) Quotes
Just one more word. If I ever run into any of you bums on the street corner, just let's pretend we never met before.

Quotes to Explore
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I believed I was invincible.
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When I was depressed, nobody expected anything of me, nor did I expect anything of myself. I was exempt from life's demands and risks. But if I were to find new life, who knows what daunting tasks I might be required to take on?
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The country has undergone a profound social upheaval, the greatest the proletariat has ever known.
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If you're losing, just be a man; be a man and lose as a man.
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Give a man a free hand and he'll run it all over you.
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Music has always been my passion for as long as I can remember.
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You need a teaching coach who understands the game of basketball, not just some guy coming on the court talking about Xs and Os.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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I really love Alexa Chung's style. I really think she gets it right all the time. I've never seen a picture of her where I didn't love the outfit.
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I don't see myself as the perfect person at all.
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We look for people who demonstrate perseverance in the face of challenges, the ability to influence and motivate others - people who want to work relentlessly to ensure that kids who are facing the challenges of poverty have an excellent education.
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I just want to be the best Carly Rae I can be.
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Sometimes I feel I hope I am not taking advantage of my stardom.
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I left my mark on 'Dark Shadows.' One day I was doing my lines perfectly from Act 3. Everyone else was doing Act 2.
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When I was designing Mrs. Obama's dress, half of me was saying, 'What would Halston do?' The other half was saying, 'Be who you are.' Halston, me, America, India - it's been such a great combination. This is what makes me who I am, with the clean lines I learned from Halston and complicated Indian over-the-top Bollywood traditions.
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There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
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Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
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I did Jay Leno with Mike the Situation, and he just - he lives, like, ten minutes from me in Jersey. He's like, 'If you ever get a flat, call me. I'll come fix your tire.' That's how we do. That's neighborly, you know?
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The fact is I still have quite a few good years in front of me. I still improve.
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That was the truly horrifying thing about it: the sense of time as an enemy, to be fought tooth and nail--but there was so much of it; you killed an hour, but what good did that do when there were thousands, hundreds of thousands, millions more hours just waiting to take its place?
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After I did the first Die Hard I said I'd never do another, same after I did the second one and the third. The whole genre was running itself into the ground.
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It's actually not unlike Google at that stage of development. They had an up-and-running site. It wasn't losing very much money, it wasn't making very much money, but it was growing.
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Just one more word. If I ever run into any of you bums on the street corner, just let's pretend we never met before.