William Franklin Beedle Jr. (William Holden) Quotes
Quotes to Explore
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In any art, you don't know in advance what you want to say - it's revealed to you as you say it. That's the difference between art and illustration.
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It is a growing process. You can't just like beer. You have to start somewhere and learn the different flavors.
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First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
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If somebody told me you'd be a one and a half billion dollar company and be the largest in the world, I wouldn't have believed it myself.
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Anytime you have a tight race and you lose, it's not pleasant.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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I read a lot of poetry, and I love what it does with language. I love music, too, and I think there's probably no coincidence there, that the rhythm of the words is almost as important as the words themselves, and when you can get the two working together, which usually takes me about 20 goes, I feel a huge satisfaction.
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It is not important what Rahul Gandhi thinks, its important what a billion Indians think.
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A successful marriage is a decision. You decide it's going to work. You can't always be there, but you have to be there enough. And you have to make sure you are where you're needed most.
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Movies I liked growing up were like Francis Ford Coppolla movies and Scorsese movies.
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Before you lay a foundation on the cricket field, there should be a solid foundation in your heart and you start building on that. After that as you start playing more and more matches, you learn how to score runs and how to take wickets.
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All that hullabaloo about somebody's net worth is just stupid, and it's made my life a lot more complex and difficult.
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity; that, at least one may replace the parent.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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I'd say Juventus has a story as legendary as the Yankees.
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In neurotics, worm phobias are usually found as well as snake phobias.
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Everything we do helps the new artists in the long run.
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People come up to me and tell me how I changed their life and I've inspired them. And they tell me their stories, and that keeps me going.
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When I was a kid I was very interested in the idea of the will, finding out what you're capable of. I liked those kind of challenges.
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What is not cool is if we have a problem with an artist or if an artist has a problem with us, come to us directly. Talk to us. Don't start a Twitter war and all that kind of stuff. That's silly.
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To draw a tree, to pay such close attention to every aspect of a tree, is an act of reverence not only toward the tree, and toward the earth itself, but also our human connection to it. This is one of the magical things about drawing - it gives us almost visionary moments of connectedness.
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Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
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Hell is paved with good samaritans.
