Alan Hollinghurst Quotes
I think being an only child created in me a degree of self-reliance, which I'm glad of. It made me perfectly happy with my own company and perhaps was good conditioning for the protracted solitude of writing books as slowly as I do.
Quotes to Explore
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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What a child doesn't receive he can seldom later give.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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You need to understand that a skilled professional songwriter can accelerate your success as an already talented musician. These people are writing every single day, so their craft is really sharp, and it's the best songwriters who consistently get on the radio.
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I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
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I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
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I never do a full outline, and if I did, I would not feel bound to it, because the view from inside a scene can be different from the view outside it. But neither do I just start writing and see what happens; I am far more disciplined than that.
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I've got a Grammy and Emmy, I'd like to have a Tony.
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I bend my knee to no man. Unless I choose to.
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I think being an only child created in me a degree of self-reliance, which I'm glad of. It made me perfectly happy with my own company and perhaps was good conditioning for the protracted solitude of writing books as slowly as I do.
