Ilan Stavans Quotes
Quotes to Explore
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This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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At the end of the day, every decision I make about my music is about creating a collective.
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I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
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Warren Beatty once told me that if someone's really stuck on you, find them their next boyfriend. But I could never do that.
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The Sunday School teacher talked too much in the way our grade school teacher used to when she told us about George Washington. Pleasant, pretty stories, but not true.
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I never had teenage years. I guess because I was seen to be more adult than anybody around me.
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I am not the only intense or intellectual cricketer. I played with other cricketers who could be pretty intense and intellectual.
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Writing is only the frosting on my cake. I'm whole without it.
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Breaking the world record in '92 was a very special personal moment, but I'd say my favorite moment as a decathlete was winning the Olympic gold medal. It was a lot of years of work, and when I won it, it was more a sense of relief than jubilation or exaltation.
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I can do whatever I want.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity.
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I turn people into human beings by not making them into gods.
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A man of knowledge lives by acting, not by thinking about acting.
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I must be honest here; I don't think there's such a thing as 'unconventional' when it comes to YA. YA readers are the most open-minded in the literary world. They'll read anything.
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Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
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I'd say it's even harder to cater to Hispanics than to the lesbian or gay community. We're so culturally separated: Puerto Ricans, Dominicans, Mexicans, Venezuelans. We're all so different.
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To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
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I didn't change the world.
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My parents taught me to approach the world critically, but also to approach it with a sense of responsibility.
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I struggled with working with producers because no one openly wanted to give me a chance to rap on their beats. That's just honest talk. No one really wanted to take that risk.
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We all must educate children at the youngest ages that private parts are private, 'no' means no, and there is only one code of honor for everyone.
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'The New World Haggadah' is meant for American Jews in the 21st century.
