William J. Mann Quotes
“All of which goes to prove that there is so much good in the worst of us and so much bad in the best of us that it ill behooves any of us to talk about the rest of us.”
Quotes to Explore
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I profoundly feel that the art of living is the art of giving. You're fulfilled in the moment of giving, of doing something beyond yourself.
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I consider that 9/11 was the day when war was started against my own work and against myself. Even though we are not sure of the links, Iraq was one of the countries that did not lower its flags in mourning on 9/11.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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I have been the victim of heartless malice.
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I never got good at predicting what millions of people will suddenly decide is rational.
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I'm not a best-seller, but through translations, I've accumulated some money.
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I like to write scenes in the middle of the night. We could change every word of 'Family Ties' between Monday and Friday.
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But I've sure worked at jobs where I have been under inspection.
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I think that talented people really do have insecurities, and that is one of the things that kind of motivates them, because that's one thing they know they're good at. And when they're up on that stage, you can do no wrong. The audience is yours; they're there to see you.
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I'm a closet outdoorsy athletic enthusiast, and I would love to do a rafting and hiking trip someday and maybe sleep in a treehouse and bathe in a chilly winding river.
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I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.
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I feel so great on a plane that it could be the end of everything, and I don't care.
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I don't like being in debt, and I wouldn't borrow money for anything.
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Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
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My mom raised me to be clean, so it's in my nature. I have two little girls, and I'm married, but we've got a nanny and a maid.
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Engaging Iran won't guarantee improved U.S.-Iranian relations or a more stable Gulf region. But not engaging means more of the same.
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There are people who have energy that say 'don't come near me, don't get too close.' There's people like Adrienne Shelley who have the energy of 'come over here and give me a hug and if you're around me you're going to be happy about it.'
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I've made a bit of a career taking daunting projects out of Lego. I've done things like a dinosaur skeleton and stuff like that.
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My work sometimes can be abstract and appear not to have a direct relationship to Afro-American concerns, but, in fact, it is based on that.
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I kept saying that I'd never live in L.A., and I didn't think I would. But that's where the work is, and I ended up making a lot of friends there, and my old friends moved out to Los Angeles too. And also, I think when you're famous, its hard to live in a small town.
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I think 'Amazing Race' is sometimes like being on tour.
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The poor, who see no refuge or hope, cry aloud to a God who makes no reply, and then envy springs up in them when they consider the comforts and opportunities of the rich. They see the rich profligates, the wealthy fools, enjoying themselves unpunished. Turning to the teacher of religion, they meet the reply to their questioning of the justice which will permit such misery to those who did nothing requiring them to be born with no means, no opportunities for education, no capacity to overcome social, racial, or circumstantial obstacles, "It is the will of God."
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I have a passion for my work, and that sometimes triggers creative conflicts.
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“All of which goes to prove that there is so much good in the worst of us and so much bad in the best of us that it ill behooves any of us to talk about the rest of us.”
