William J. Mann Quotes
Writing about identity can be like maneuvering through a minefield, even when considering contemporary figures who have discussed the subject themselves.
Quotes to Explore
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It's often discouraging sitting working at home, wondering whether to put the heating on, answering the doorbell to the gas board, feeling it's all utterly pointless.
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Let me just say as one who has been speaker of the House, I've had to have a very thick skin about every kind of thing that was thrown at me.
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We need to make clear the federal government does not have authority to indefinitely detain U.S. citizens without due process or, for that matter, to use lethal force on U.S. citizens on U.S. soil if they don't pose imminent threats.
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Playing different characters in different films helps keep you excited about what you do. It always seems like a whole new adventure.
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I almost laughed about the Machiavellian plans of the presidents of the United States.
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I never met a stripe I didn't like.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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It was a small provincial place with great people and I had a happy childhood growing up in Queens.
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I like certain subgenres within science fiction and fantasy, and one of those is urban fantasy, and another is steampunk.
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Any beast can cry over the misfortunes of its own child. It takes a mensch to weep for others' children.
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My family is heavily involved in the Marines and close-combat training, and I was raised doing Japanese sword training, so I've always been of the mentality that you have to be able to defend yourself.
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Man masters nature not by force but by understanding. This is why science has succeeded where magic failed: because it has looked for no spell to cast over nature.
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I love 'Homeland.' I think it's such a well-done, well-acted TV show.
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I always learn something from every actor I've ever worked with. I always pick something from them.
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As great scientists have said and as all children know, it is above all by the imagination that we achieve perception, and compassion, and hope.
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The last book I read was the book I've been rereading most of my life, The Fountainhead.
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I want to keep my health and my sanity and be well and feel happy. Plus, I want to have fun.
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No one ever wanted to see it as anything other than a boring play about a middle-aged man having a mid-life crisis. I think it’s about rather more than that - or maybe it’s not. Maybe that’s exactly what it is about.
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It's a mistake not to give people a chance to learn to depend on themselves while they are young.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.
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I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
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In the beginning, there was silence. And out of the silence came the sound. The sound is not here.
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Writing about identity can be like maneuvering through a minefield, even when considering contemporary figures who have discussed the subject themselves.
