Dan Quayle Quotes
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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Look at the sky. We are not alone. The whole universe is friendly to us and conspires only to give the best to those who dream and work.
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You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.
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Summer is a promissory note signed in June, its long days spent and gone before you know it, and due to be repaid next January.
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I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.
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With ladder matches, you can't expect anything other than craziness.
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The first single I released, 'Anything Goes,' is probably one of the best-written songs I've heard in a long time. It takes somebody knowing who you are. Sometimes writers know who an artist is and what they want to say and how they sing. I will never be opposed to cutting a song if somebody nails my life and what I'm going through.
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I pinch myself daily at the good fortune of my life, you know, in many ways.
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I'm not an agent from any government, even if some of you may not believe it. I'm not. I'm a peacemaker.
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Coming up with ideas isn't hard. The real challenge is finding the time to actually build something and then finding a home for it.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.
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I love the color pink. It makes a bold statement.
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The game has given me so much, and I tried to give so much back to the people who have showed me so much love day after day.
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I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.'
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One of the advantages of this found footage format is that you can have deliberately badly composed frames. Here we can put a camera in the weirdest angle and it kind of throws you off. You never know what you are supposed to be paying attention to. It's deliberate chaos.
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Where do you get lumpy tiles? Well, of course, you don't. But I get a lot of toilets, and so you just dispatch a toilet with a hammer, and then you have lumpy tiles.
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I had rather have a plain, russet-coated Captain, that knows what he fights for, and loves what he knows, than that which you call a Gentle-man and is nothing else.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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I write line by line, by the sound and the weight and the music of the words.
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The biggest compliment I get is when someone tells me, 'You're so real.' Even if my journey isn't exactly like theirs.
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I was desperately shy when I was wee. Totally lacked confidence socially. When I look back at school photographs, I'm always the one shrinking in the back. What I really wanted to do was become a writer, and I don't think the residue of that has ever gone away. I still feel the ultimate achievement would be to write a novel.
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If you're lucky enough to have 70 years of literate adulthood, and if you read one book every week, you're still only going to get to 3,640 books.
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It's a very good historical book about history.
