Harmony Korine Quotes
I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
Quotes to Explore
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The sun never sets on my gallery.
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I have been offered a lot for my work, but never everything.
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I do not often get lonely, and I never get bored.
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I tend not to wear accessories. I'm not one of those gals with a drawerful of amazing jewelry. I don't even have my ears pierced! But I have one bracelet that never comes off my wrist.
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I'm trying to work in studio movies, but they won't hire me.
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If dreams are like movies, then memories are films about ghosts.
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To be honest, I have never thought about getting into direction.
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Things are never perfect, so I never get too high about things, or get too down about things anymore.
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It has never been my object to record my dreams, just the determination to realize them.
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I was so worried when I left 'GH:' so scared I'd never work again.
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You see bands putting ads in the paper: 'drummer wanted'. I could never be in a set-up like that.
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I never read about photography.
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I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do.
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If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
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Never trust a hippie. That's definitely my motto.
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I've never supported one penny of tuition increases.
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I never exercise, and I eat everything.
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We both agreed that Stalin was determined to hold out against the Germans. He told us he'd never let them get to Moscow. But if he was wrong, they'd go back to the Urals and fight. They'd never surrender.
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The No. 1 thing I am earnestly attracted to is intelligence.
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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The suicide bomber's imagination leads him to believe in a brilliant act of heroism, when in fact he is simply blowing himself up pointlessly and taking other people's lives.
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My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
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I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
