Ian Rush Quotes
Quotes to Explore
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I don't ever know where I'm going. Because one of the wonderful things about writing, which is different than working in programming, you don't need to know. You could just write and discover where you're going. And it's a great deal of fun.
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When I'm in a place like Iceland, I allow myself to take a little more time to divert off onto other paths creatively for a while and see what comes to me.
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When history is erased, people's moral values are also erased.
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Execution as punishment is barbaric and unnecessary.
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I think people appreciate honesty.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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Everything I do is for my parents, None of this matters without them. If it weren't for them, I wouldn't be here... If it wasn't for them, if it wasn't for the structure and the backbone that I have, I wouldn't be able to mess up and keep coming back and sit in front of you as a world champion.
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I'm so bad at baseball, I can't even hit now.
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Initially, I studied philosophy, because it claimed to give you answers to the meaning of existence, but it didn't: It was basically a semantics game.
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The civil rights movement wasn't easy for anybody.
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I started studying at 26. Before that, I never thought of acting as something that I would ever try.
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It's a matter of life and death for this country. The Kenyan forests are facing extinction and it is a man-made problem.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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The biggest part of my job now is to quickly develop successors, and around the world I am working to develop new business leaders in the company.
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It's not just that individuals have lost faith in the integrity of their leaders, it's that they no longer believe society's most powerful institutions are acting in their interests.
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I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
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The corporate right fires up the religious right against gay marriage and abortion and uses their votes to push their deregulation and tax cuts for the rich. It's an old trick. The House of Saud has the same arrangement with the Mullahs in Saudi Arabia.
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If people think I look good, it's the make-up.
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But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
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The vast majority of immigrants - regardless of the conditions of war and poverty that may wrack their home countries - come and contribute to their new home country: building our roads, caring for our homes, children, and elders, and serving as doctors, lawyers, employers, and innovators.
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To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
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I think film cannot only teleport you to places you don't know, but it can help you see people you thought were one way and in fact are another. They can allow us to examine ourselves.
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I've always wanted to direct and as I grow and I get older and I get older I just want to let that evolve.
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I couldn't settle in Italy - it was like living in a foreign country.
