Albert Serra Quotes
In fact, my methodology is based on the idea of waiting for when inspiration arrives for the actors. And that means that the light, the cinematography, everything has to be ready for that moment, so they don't have to wait.
Quotes to Explore
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The true Christian is called to be a soldier and must behave as such from the day of his conversion to the day of his death. He is not meant to live a life of religious ease, indolence and security. He must never imagine for a moment that he can sleep and doze along the way to heaven, like one traveling in an easy carriage.
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I'm not against technology, but all tools should be used to their best advantage. We should be spending our time on things that have staying power, instead of on the latest thought of the latest blogger - and then moving on quickly to the next blogger.
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I believe in the power of intention to change the landscape of our society - and it is my intention to live an authentic life of compassion and integrity and action. Jamey Rodemeyer's life changed mine.
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I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
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It's no easy task to either make money online as a publisher or to advertise your product in a world where attention is so fleeting and divided.
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Producing should be a creative responsibility.
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You can watch someone on – stage cry and cry – but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
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Every child deserves to grow up knowing their potential and feeling confident that they won't fall at the first hurdle - that they cope with life's setbacks.
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I don't say: 'can't do that', 'won't do that'. I've never thought in that way about work.
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Emmitt Smith is a great running back. One of the things I like about him along with Edgerrin James is that neither one of them 'show out' when they run a touchdown.
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For as long as I can remember, we've been having debates about the foreign policy disasters and seemingly unsolvable problems around the world. Dinner conversations are replayed over generations - nothing seems to get better, and in some aspects, it seems dramatically worse, and that is especially true for women.
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People say, 'Do you ever miss being a normal teenager?'
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It's never too late - in fiction or in life - to revise.
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I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
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I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
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The single biggest surprise about arriving to the Senate is the defeatist attitude here.
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Corporate engineers have looked at how women are with each other, borrowing the best tips from female neighborhood culture and then transporting them back into the bosom of capitalism. They've feminized capitalism.
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I want to take people away from the ugliness and sadness around us every day and bring beautiful, deep music to as many people as I can.
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I talk to my readers on social networking sites, but I never tell them what the book is about. Writing is lonely, so from time to time I talk to them on the Internet. It's like chatting at a bar without leaving your office. I talk with them about a lot of things other than my books.
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One of the reasons I don't have kids is because I think people would have been very unfair to them. Think of it. You're still asking me questions about The Exorcist.
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I remember as a kid not ever wanting to have friends around to my house because it was, for want of a better description, disheveled.
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Life is a great disappointment.
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I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.
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In fact, my methodology is based on the idea of waiting for when inspiration arrives for the actors. And that means that the light, the cinematography, everything has to be ready for that moment, so they don't have to wait.
