Tim Ferriss Quotes
Quotes to Explore
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Fear is the dark room where the Devil develops his negatives.
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There was definitely a time where I did not believe in the Lord. I needed to understand the love of God.
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There comes a time when every scientist, even God, has to write off an experiment.
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Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
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I definitely think there's some way to understand how people emotionally feel about somebody, but I don't think data collects it. They're not going to click your bit.ly link or click your TweetMeme retweet every time.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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Don't try to convince your partner you are right. Instead of trying to win arguments, try to have a winning relationship!
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Cats know how to obtain food without labor, shelter without confinement, and love without penalties.
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If you lived through the shooting of Jaws, you can live through anything.
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I will never give myself the luxury of thinking, 'I've made it.'
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Mo Yan is the Chinese equivalent of the Soviet Russian apparatchik writer Mikhail Sholokhov: a patsy of the regime.
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As a species, we can at times be dimwitted and cruel. But we're also capable of learning.
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Where liberty dies, evil grows.
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If you're a big Nirvana fan, a big Hole fan, then I understand why you would want to get to know me, but I'm not my parents.
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I grew up in the classic American-Jewish suburbia, which has a whole different sense of what it means to be Jewish than anywhere else in the world.
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To be a writer, you must be a reader, yet as many as 30 per cent of my writing students were not readers.
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I was determined to be an actor and make a name in the industry, and hence, I did.
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I've always been sort of a closet sci-fi geek.
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I think I'd just like to get in a time machine and travel and never come back. The '20s would be an incredible place to be, dressing up in tuxedos with fancy cars. That sounds incredible.
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The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
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It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
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One person I've always wanted to work with who would be an amazing guest star would be James Earl Jones.
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I work hard, but in spurts.