Miroslav Vitous Quotes
I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.
Quotes to Explore
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I would love it if people could look at chubby folks with all of our curves, bumps and ridges and just say 'She's beautiful' just like that. You don't have to get on a treadmill as long as your blood pressure is under control and you eat healthy, God bless.
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My parents were very supportive of me and my artistic endeavours. My father and mother came to every school play I ever did.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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We are enslaved by anything we do not consciously see. We are freed by conscious perception.
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Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
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Neil Young is the prime example, the grand goal, if you will. He's still shredding, and he never lost his credibility.
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Extremely strong, effective, tenacious, and powerful political networks can be built when you fight losing battles as well as when you win.
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Perl will always provide the null.
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I look in your eyes I realize what you've sold meis love in a vacuum. Love in a vacuum.
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I love to prove people wrong. They expect I'll sound a certain way when they see me, then they hear me and they can't believe it. I love that.
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When you are on assignment, you stick to the facts, limit your vision, and often cut out the most revealing material. There is no texture, no shades of gray. In fiction, you can bring the reader on the perilous journey with your characters as they discover that war is more like a wilderness of mirrors, full of danger and uncertainty.
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I was kind of freaked out by the art world in the 1980s. Just the money thing. All the competition over artists.
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The biggest thing I've learned is that it's not about me. All of the things that I do have to be about bringing service to the world and helping people shift their perception.
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My favorite period is World War II, and I'm in the middle of writing my fourth novel set in that era.
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I became paranoid for a long time: I thought that people were out to harm me.
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I love flying so much. I even like airplane food. No one bothers you and your phone never goes off and you can't have emails go through. It's undisturbed.
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I'm a sucker for 'When Harry Met Sally' and all that romantic stuff.
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I took tap and ballet, which likely contributed to my sense of rhythm and showmanship. I love creating music that gets people moving together, free of inhibitions.
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The only way we're going to keep America safe is to have an elite military, all right.
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My middle name really is perseverance. I've always believed that I had talent, even when I felt like a very inferior sort of person, which I spent a lot of time living my life feeling that I wasn't worthy. But even then I knew that I had something special, and maybe that's what it takes. Maybe people need to have that kind of particular core driving them. But I felt I had talent.
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I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.
