Alex Faickney Osborn Quotes
Quotes to Explore
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I think we just need to stick to our knitting on the topics and the subjects the American people care about.
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I'm not even kind of a lesbian.
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'The Shining,' 'A Nightmare on Elm Street,' 'Halloween.' Those are the greats.
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Being a writer - even a best-selling one - is usually not anywhere near as public as being a movie star, at least not when I'm out in 'real life' like this. Not that I don't use what fame I have, every chance I get, to help sell more books.
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Love is the only reality and it is not a mere sentiment. It is the ultimate truth that lies at the heart of creation.
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I want to do more documentaries and travel to places I haven't been. That is where I think I can be fulfilled.
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We all do stupid things.
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The single biggest surprise about arriving to the Senate is the defeatist attitude here.
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I feel about me like I'm one of the working people, just like you, and everybody else. I don't fit the part of a celebrity.
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I think when you take away all, like, the premieres and press stuff and all the special effects, then you just come down to the fact that it's all about acting, and I think that has been the best bit for me.
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It took me forever to leave Chicago. I went to Columbia College because I wasn't ready to leave! My professors had to kick me in the pants to move to Los Angeles.
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I always show up to work and give it everything, and some things turn out better than others - and some things you can expect that it will come out better than others.
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The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
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I tended to be the nerdy kid - stood at the back, watching other people having fun - I wasn't always necessarily a big part of the fun myself.
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I don't miss politics.
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If I could work with any actor it would have to be Johnny Depp. He is cool.
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For a Nabokov fan, paging through 'Fine Lines,' which includes a critical introduction and several essayistic evaluations of Nabokov's scientific oeuvre, can feel a bit like reading the second half of 'Pale Fire': one is confronted by a content-rich, almost dementedly tangential commentary on an increasingly inscrutable work.
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Promoters compete for fighters, fighters compete for titles.
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Part of my head will always be in the years after World War II - the five years before Korea started.
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We sometimes feel the shadows have got hold of us, the shadows of evil. But still, it's up to us to fight.
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I fight because it allows me to face my fears head on, and conquer those fears one by one.
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Tupac is huge; he's an inspiration. Arguably, he's probably the biggest, most analyzed and loved artist of all time.
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Observation capitalizes inspiration.
