Alex Prager Quotes
I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.”
Quotes to Explore
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I am an American citizen born in Kuwait of Egyptian parents. I grew up in Great Britain, Malaysia, and Egypt and have lived in the United States since 1965, when I was seventeen.
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I'm a big handbag lover and will always have one with me.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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I get a lot of influence from pro wrestling. People are like, 'Oh, it's fake.' But it's not about whether the guy wins or loses, it's about how he entertains you the whole time you're watching.
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To gain strength in our struggles, we must have a positive perspective of the principles in the plan of salvation. We must realize that we have a personal Savior whom we can trust and turn to in our times of need.
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I always do my interviews face to face.
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Any job very well done that has been carried out by a person who is fully dedicated is always a source of inspiration.
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I've grown up playing for some incredible coaches, and I don't think anybody's ever been as fortunate as I have in terms of the people I've been allowed to play under, coach under, or be involved with.
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When the word 'morality' comes up in connection with economics, income distribution and financial stability are usually the issues. Is it moral for rich countries to use such a high proportion of the world's resources or for investment bankers to earn large bonuses?
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Our evolution could have gone in different directions a lot of times. We could have gone extinct at some points. We might not have gotten our big brains, or Neanderthals might have made it while we did not.
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My mom has every issue of 'Billboard' I've ever been in.
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I think, by nature you know, I'm very attracted and I gravitate toward the very strong girl who can watch a ballgame, but who's also extremely feminine.
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One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
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I'm often accused of being prudish, but the opposite is true.
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When I hung up my toe shoes, I didn't look back. In all my years, I have never looked back.
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When I left school at 16, I became an apprentice television and radio technician, and was paid £17 a week, which was decent money in 1976. But the job turned sour when I gave myself an electric shock while repairing a television set.
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I'm mainly an airport author, and if you're trying to take your mind off the journey, you're not going to read 'King Lear.'
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I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.
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We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.
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In all honesty, I don't know what one song can change.
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When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
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I probably spend the most time with Toews: we have the same schedule, and we're roomies on the road; we sit next to each other. We do a lot of promotions together.
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I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.”
