Nathan Greno Quotes
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
Quotes to Explore
-
We want a story that starts out with an earthquake and works its way up to a climax.
-
When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
-
Every story I create, creates me. I write to create myself.
-
This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
-
You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
-
I am not fearless. I get scared plenty. But I have also learned how to channel that emotion to sharpen me.
-
The film industry is mostly about unidimensional characters.
-
It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
-
There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
-
With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
-
There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
-
As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
-
Love isn't an emotion or an instinct - it's an art.
-
Some of the biggest movie stars in the world are essentially characters.
-
I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
-
On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
-
Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
-
All my career, all that I've really done has been based on emotion and intuition and gravitating toward what sounds good.
-
I think that one of the ways that Americans will come to want to look at history is by looking at their own families' histories, and how those stories relate to the larger picture of American history. Then it is no longer abstract. Then it becomes a story that really means something to us as individuals.
-
A movie as specific as 'Heathers,' which took place in a specific time and specific place and in which many of the characters got killed off, I never thought it made sense to see a sequel.
-
We need a certain amount of energy to produce the sound. But then to sustain it, we have to give more energy, or otherwise, it goes and it dies in silence. And therefore, sound is absolutely, inextricably connected to time, the length of time.
-
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
