Nathan Greno Quotes
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
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Every story I create, creates me. I write to create myself.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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I am not fearless. I get scared plenty. But I have also learned how to channel that emotion to sharpen me.
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The film industry is mostly about unidimensional characters.
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It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Love isn't an emotion or an instinct - it's an art.
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Some of the biggest movie stars in the world are essentially characters.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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All my career, all that I've really done has been based on emotion and intuition and gravitating toward what sounds good.
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You've got to bring the emotion, and you have to understand that you can't touch other people if you're not touched. You can't move other people if you're not moved. So if you're just giving some frickin talk you've memorized over and over again, you're going to have a flat affect. If you've just got a bunch of visuals on the screen that are leading your talk, hang up your shoes and get the hell out of there.
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People are surprised when Hollywood characters act the way a real person would.
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I don't need my sexuality celebrated, and I certainly don't need it to be criticized. I didn't necessarily want it to be observed, but here we are.
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When I stepped away from the white pine, I had the definite feeling that we had exchanged some form of life energy. ... Clearly white pines and I are on the same wavelength. What I give back to the trees I cannot imagine. I hope they receive something, because trees are among my closest friends.
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You get to the point where you decide that you don't want to be a victim anymore and that you're not going to live your life like that.
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Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
