Nathan Oliveira Quotes
I am not the avant-garde. I am the artist who comes after the advancing guard. I am more concerned with continuity of ideas and tradition than in inventing a unique imagery.
Quotes to Explore
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My parents didn't agree with what was going on, you know, with the communists coming in, Fidel Castro. I didn't see the reason why I needed to go back there and be a part of that exhibition.
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I don't think about the future. I don't think about the past. I just think of what comes into my head at the time. So that might be about the past, that might be about the future. Or, the present.
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Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon.
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I still owe a duty of loyalty to my clients and former clients, so I cannot specify which clients I did not especially find congenial, but the cause was the same.
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I think landscape photography in general is somewhat undervalued.
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At the heart of every great movie is conflict. It's the same with a meeting. There should be conflict and tension.
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I'm a full-time mom right now and a part-time actress.
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The South is brutalized to a degree not realized by its own inhabitants, and the very foundation of government, law and order, are imperilled.
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On the battlefield, the military pledges to leave no soldier behind. As a nation, let it be our pledge that when they return home, we leave no veteran behind.
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There isn't a class structure in Nigeria; there's a tribal structure and prestige as far as money is concerned.
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Experience is what you get when you didn't get what you wanted.
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I love 'Somebody to Love' by Queen and of course 'Bohemian Rhapsody' is one of my favorites, just because it makes everyone in the room go crazy. Everyone tries to sing along with it, and half the room gets it right and the other half gets it wrong.
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It is an agreeable and yet a painful sense of novelty to stand for the first time in the midst of a people whose language and manners are different from one's own.
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It is an illusion that youth is happy, an illusion of those who have lost it.
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The sports space is so full of opinion that you aren't hearing from the athletes just speaking for themselves. We are such a Twitter-oriented society with radio talk shows, TV talk shows and social media - what you are missing is the authentic, unfiltered aspect of who these people are.
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And at 19, you think you rule the world, and you can control things. And a lot of times, you don't.
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You sort of have to become what you're wearing.
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Lyft is focused on the customer - the driver - as GM is. I've talked many times about our goal being, 'How we can put the customer at the center of what we do so we earn customers for life?' It's a very common goal of putting the customer first.
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I don't really compare any of the characters I play; I try to go into them being very open to what the characters can offer and what I can bring to them and then bring a being to life.
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Success and suffering are vitally and organically linked. If you succeed without suffering, it is because someone suffered for you; if you suffer without succeeding, it is in order that someone else may succeed after you.
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Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
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The subordinate's job is not to reform or reeducate the boss, not to make him conform to what the business schools or the management book say bosses should be like. It is to enable a particular boss to perform as a unique individual.
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Laughter is healing and helpful and fun, and I see my role as an entertainer, and I want readers to leave my books smiling.
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I am not the avant-garde. I am the artist who comes after the advancing guard. I am more concerned with continuity of ideas and tradition than in inventing a unique imagery.
