Mitchell Hurwitz Quotes
There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project.
Quotes to Explore
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I wouldn't wish overnight success on anyone. You have no real friends. Everyone works endless hours at different studios, so far apart. Even on your own lot, relationships were formal and often competitive.
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Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
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Sometimes the kids come up with better endings than the real story.
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Cynicism is something which has become symbolic of imperial policy.
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A man generally has two reasons for doing a thing. One that sounds good, and a real one.
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I had to be sure we were doing something tasteful.
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The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
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My father has been the real anchor of the family. He's the one who has always encouraged my mother, my brother and me.
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Coming up with something new and original is so exciting.
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I'm a real big celebrity. I'm this megastar.
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You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
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Two of my sons are themselves filmmakers, and we can't afford them nor they us. They work in the real world and earn money and are pretty good at it.
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Stephen Moyer is probably the most gracious, gifted actor that I've met. He's really intelligent. He has a real sensitivity to his character, to scenes, to scripts.
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For me, it's a matter of balance. Living inside your head and experiencing real things - both are important.
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Gertrude Johnson could feel no real respect for, no real interest in, anybody who wasn't a writer. For her there were two species: writers and people; and the writers were really people, and the people weren't.
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The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces.
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More people are interested in trying to shuffle paper assets around than building lasting assets by producing real goods.
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Making movies was a real weird kind of adult experience. In a way it was like MIT, in that it was a great education. The big lesson is, people are people. They're smart, funny, creative people, but they're people.
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One of the first things I said to my kids and we all agreed upon when we first started shooting the show was if we're going to do this, we're all in. We're not going to worry about editing ourselves. So that's what you see. It's raw, and it's real, and it's footage that hopefully people learn from some of our experiences.
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I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story.
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When I hear people boo, that just makes me want to go out there and work harder.
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The most important connection I can see between my faith and my work is that in the progress of my day, I try to be restrained and mindful of every person's humanity and of the overwhelming challenge of pride.
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It took me a while to warm to the '20s costumes on 'Downton.' I love it when women accentuate their curves, and that era was all about hiding them. The shapes they wore then were in tune with female empowerment. Cutting off their hair and hiding their busts was a way of saying, 'We're equal to men!'
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There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project.
