Mitchell Reiss Quotes
Quotes to Explore
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An increase in light gives an increase in darkness.
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To have ego means to believe in your own strength. And to also be open to other people's views. It is to be open, not closed. So, yes, my ego is big, but it's also very small in some areas. My ego is responsible for my doing what I do - bad or good.
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The whole problem can be stated quite simply by asking, 'Is there a meaning to music?' My answer would be, 'Yes.' And 'Can you state in so many words what the meaning is?' My answer to that would be, 'No.'
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Very much alone in my work, I am almost jealous of it.
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I feel that marrying younger and being quite a young dad helped me with the stability of my career.
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We're at maybe 1% of what is possible. Despite the faster change, we're still moving slow relative to the opportunities we have. I think a lot of that is because of the negativity... Every story I read is Google vs someone else. That's boring. We should be focusing on building the things that don't exist.
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One day I undertook a tour through the country, and the diversity and beauties of nature I met with in this charming season, expelled every gloomy and vexatious thought.
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Most of the oils which are valued as scents are mixtures of substances; only the combined effect of these leads to the known result.
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The rich will do anything for the poor but get off their backs.
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I have been working since I was 11 on everything including period dramas.
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Inauguration Day is like two ships passing in the night: the new staff moving in while the other walks out, taking one final look at the White House lawn as they leave with their cardboard box of possessions.
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Ask your editor or ask your agent to find out what the house's goals are for your book before it comes out. Get some sense of expectations so you are prepared.
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Life is too short to be on a diet.
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It is a great piece of folly to attempt to make anything out of my early life.
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My lifestyle had made me a walking time bomb.
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When I left prison, I had to figure out how to embrace my past.
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I'm a visual person - when I write, my input is always visual. I worked in television for several years.
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The people's desires have changed, but we're still stuck in our old issue set.
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The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.
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It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.
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I am surprised people took so long to pick up on the fact that my contract expires at the end of this year. Eddie has to decide who he wants to drive, so there is no secret anywhere. I am not concerned. It does not sit with my objectives to be competitive.
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I remember all the way back in high school thinking about writing books. And, in fact, I've written a lot of stories. I've got dozens of stories I've written that no one's ever seen.
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I'm one of those artists who, if you'd let me tweak, would probably keep going and going, so it comes to the point where sometimes you just have to let go and make the decision, 'Okay, that's it.'
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You are either going forward or you are not.
