Mitchell Zuckoff Quotes
Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
Quotes to Explore
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I'm uncomfortable with the focus on the poet and not on the poem.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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The proof of a poet is that his country absorbs him as affectionately as he has absorbed it.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Well you can be the son of a Marxist and not necessarily be a Marxist in all your views.
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People say I look like my father. My son is very much like him.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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If it weren't for the rocks in its bed, the stream would have no song.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'God Made Girls' was such a success for me. I'm so blessed to have over half a million downloads on that song. I was the highest-charting new female in 2014, and I couldn't have done that without Big Machine and their support.
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I feel like I have some stuff that matches 'Fight Song,' not in necessarily the message exactly but in the emotion and honesty.
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I was a sort of son to Ike, and it was the other way round with Kennedy.
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The one hit song that I have tremendous gratitude for is Boots, because it has a life of its own. It's like being identified with a brand name.
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An only child alone and wildA cabinet maker's son.His hands were meant for different workAnd his heart was known to none -He left his home and went his lone and solitary wayAnd he gave to me a gift I knowI never can repay.
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The bearer of this letter is an old friend of mine not quite the right side of the blanket as they say in fact he is the son of a first rate butcher but his mother was a decent family called Hyssopps of the Glen so you see he is not so bad and is desireus of being the correct article.
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What is beyond the cathedral, outside, Balances with nuptial song. So it is to sit and to balance things To and to and to the point of still, To say of one mask it is like, To say of another it is like, To know that the balance does not quite rest, That the mask is strange, however like.
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I've definitely read interviews with people where they've explained exactly what they wrote something about and I've been like: "Oh no, I was thinking that was a really beautiful love song or a really sad thing."
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In the United States, female fisticuffs were marginalized, first as erotic vaudeville in the 19th century and later as serious competition developed in the first half of the 20th. Legal wars waged by boxers in the 1960s and '70s won women the right to compete professionally nationwide.
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It is an honour to fight at the Royal Albert Hall.
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Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
