Mitchell Zuckoff Quotes
Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
Quotes to Explore
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I'm uncomfortable with the focus on the poet and not on the poem.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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The proof of a poet is that his country absorbs him as affectionately as he has absorbed it.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Well you can be the son of a Marxist and not necessarily be a Marxist in all your views.
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People say I look like my father. My son is very much like him.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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If it weren't for the rocks in its bed, the stream would have no song.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'God Made Girls' was such a success for me. I'm so blessed to have over half a million downloads on that song. I was the highest-charting new female in 2014, and I couldn't have done that without Big Machine and their support.
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I feel like I have some stuff that matches 'Fight Song,' not in necessarily the message exactly but in the emotion and honesty.
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I was a sort of son to Ike, and it was the other way round with Kennedy.
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The one hit song that I have tremendous gratitude for is Boots, because it has a life of its own. It's like being identified with a brand name.
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An only child alone and wildA cabinet maker's son.His hands were meant for different workAnd his heart was known to none -He left his home and went his lone and solitary wayAnd he gave to me a gift I knowI never can repay.
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The bearer of this letter is an old friend of mine not quite the right side of the blanket as they say in fact he is the son of a first rate butcher but his mother was a decent family called Hyssopps of the Glen so you see he is not so bad and is desireus of being the correct article.
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You just do the best you can. It doesn't necessarily mean that you have to get worse the more you do it. It can get better, I think... aspects of it, anyway. I mean, I don't write as much as I used to. But I don't do a lot of things as much as I used to. So that's the natural order of things, too. You're more or less living in the present. You're just trying to get that next song, whatever it is. And not think too much about what happened on the last record, or the record you made 20 years ago, because those are over with. Those are done.
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A lament in one ear, maybe, but always a song in the other
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You can't change what time has in store for you, as the only constant that I've known is change.
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I am really rather like a beautiful Jersey cow, I have the same pathetic droop to the corners of my eyes.
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Do not allow yourself to imagine that revolutionary thinking can be propagated by governmental power.
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Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
