Alexander Weinstein Quotes
While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like Pavel Chekhov and Lev Tolstoy, and their ability to portray our human struggles and joys.
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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Writers are not meant for action.
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I love 'Glee' so much. It just works - it's on the edge of ridiculous.
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Writers are essential. Readers are essential. Publishers are not.
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Daddy was hilarious. He could take the most mundane event and tell it so that we all on the floor laughing. He trained me in the joys of humor.
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I'm not a Luddite at all. I love all this stuff. I look at all the gadgets that come out and I think, 'Oh, this fix works for me. But the rest don't.' I'm not genuflecting in front of the God of Newness.
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I love thriller writers. My favourites are Harlan Coban, Lee Child, Ian Rankin, Kathy Reichs and Ed McBain.
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My sensibility steers me toward writers who are out on their own.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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I've worked very hard to become comfortable with how death works and why it happens. I now know that death isn't out to get me.
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I always have a good quality extra virgin olive oil. A cheap quality oil will end up cheapening your dishes. And I love sweetening my dishes with maple syrup. It has a bit of a bitter kick at the end that works wonderfully in savory dishes.
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Don't get me wrong: I love a massive show with dancers and the works, and I love Zumba! But I just want there to be more people who just sing.
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I do think Austin is a great town for writers; we have a lot of them here. But I grew up in Austin, and so I didn't move here because it was a creative mecca; I was just lucky to live here.
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I also think that life itself is both indifferent to us and the source of all of our joys and everything that we love. And it's necessary to accept the one in order to love the other.
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When we are abandoned to God, He works through us all the time.
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Isn't it wonderful to be an artist whose works have mostly been lost?
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One of my greatest joys is when someone like your wife takes one idea or one piece of a recipe and does it her way. That's what I'm encouraging.
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Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.
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I respect the state workers and I respect their unions, but we simply can't afford to pay benefits and pensions that are out of line with economic reality.
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I think what I find challenging is just trying to bring a truthfulness and a realism to a character.
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If my life is motivated by my ambition to leave a legacy, what I'll probably leave as a legacy is ambition. But if my life is motivated by the power of the Spirit in me, if I live with the awareness of the indwelling Christ, if I allow His presence to guide my actions, to guide my motives, those sort of things. That's the only time I think we really leave a great legacy.
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While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like Pavel Chekhov and Lev Tolstoy, and their ability to portray our human struggles and joys.
