Alexandra Potter Quotes
Quotes to Explore
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Hamas says in its charter they want to see a world without Israel. They want to obliterate Israel.
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I really don't want to portray the Islamists as simply evil, the way it's often done in the west.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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The more questions and answers we get, the more useful Quora is.
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The sad thing is that apparently if you want to become the next Premier or the leader, suddenly you've got to shut down your human side.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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I've never been more famous than I was, suddenly, in 1986.
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A psychologist said to me, there are only two important questions you have to ask yourself. What do you really feel? And, what do you really want? If you can answer those two, you probably can leave your neuroses behind you.
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I wouldn't dream of working on something that didn't make my gut rumble and my heart want to explode.
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I want to describe the psychological state of the people in a certain city.
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The greater the power, the more dangerous the abuse.
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Well, every time I get ready to do a job I want to lose weight.
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I really like boats. If you want to go somewhere, you just take your house with you.
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Camp Southern Ground is a lot more than a camp. It's more of a campus.
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I didn't want to fall into the trap of complacency.
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You want to compete, and you want to compete at the highest level.
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If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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We must do everything we can to be more aggressive in confronting Syria about what they are doing in Iraq.
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Events are never absolute, their outcome depends entirely upon the individual.
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One of the things about federal politics is that it has been remarkably free of corruption.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Why is it that when you discover you can't have something, you want it even more?
