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Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done.
William Mapother -
I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.
William Mapother
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If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.
William Mapother -
I can be a bit of a science geek. I tend more towards reading about brain science, neuroscience. I was an English major, so I love discussing possibilities and alternate theories. Aside from the science aspect of it, the philosophical possibilities are so interesting.
William Mapother -
I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.
William Mapother -
I would not call myself Catholic anymore, but I went to 16 years of Catholic school: grade school, high school and college.
William Mapother -
One of the great things about film is that, typically anything that's introduced in the first five minutes, the audiences will by into.
William Mapother