William McDonough Quotes
Designing renders visible our hopes and dreams. It is the first signal of human intentions.
Quotes to Explore
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I think it's always best to be who you are.
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We had something very special in the Faces. We were blessed to have the fun we had.
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You can't take yourself too seriously; it's important to poke fun at yourself. Once in a while, it is great to show your inadequacies, too.
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If you were to ask me to choose between democratic values and wealth, power, prosperity and fame, I will very easily and without any doubt choose democratic values.
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Military preparedness is absolutely a form of strength.
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I've never been to New Zealand before. But one of my role models, Xena, the warrior princess, comes from there.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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I'm a great believer in the experiential theory of writing.
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I'm not a wimpy kid at all. I don't care what other people think - I only care what I think about myself.
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Dream and you shall become.
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My parents had no money, but they had strong values that I've carried throughout my life - things like not going into debt, never borrowing money, never leveraging, paying your bills on time, keeping your agreements, selling customers the right things, treating employees right, and growing things.
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I had a happier experience of the city as an actress than I had had as a model.
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Sometimes you have to exercise your insanity, to really make it strong.
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I'm from Pennsylvania, so I was in New York a lot and my brother lives in New York.
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Many people find themselves with illness as they become successful: higher blood pressure and diabetes.
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I have only one counsel for you - be master.
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Palestine is the issue, and until this issue is resolved, there can be no peace.
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My father was a milkman. So, I delivered milk.
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Identity itself should be not a smug label or a gold medal but a revolution.
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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All those years of skating and dancing have carried over. I can't design anything without thinking of how a woman's body will look and move when she's wearing it.
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There's a kind of dream that movies sell to people: You can start as the lowliest person and rise to the top. 'Hit Me' doesn't sell this fantasy.
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I'm like a sight gag.
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Designing renders visible our hopes and dreams. It is the first signal of human intentions.
