J. Tillman Quotes
My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
Quotes to Explore
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He who fears to weep, should learn to be kind to those who weep.
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The U.S. economy and workers benefit from a strong, healthy relationship between government and business.
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I've always wanted to do a period piece.
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I wouldn't say no to becoming a Bond girl. Making it in Hollywood has been my dream ever since I was little, watching Marilyn Monroe movies. To star in a Bond movie would be bliss on a stick.
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The interest on our debt is going to collapse this country.
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I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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As the bill requires, any terror alert system must give people and organizations some indication about what steps they must take to improve their own security and assist in the Nation's security.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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I've been lucky to ride 10 different horses at the Olympics. I'd like to think that of all of them, Big Ben - who was inducted into the Canadian Sports Hall of Fame - would still be competitive in the contemporary sport.
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When I was around 15, I did my first movie. I was at a kids' agency, and the third time I was invited to an audition, they offered me a little part in some kiddie thing, and I earned my first money. I was very proud that I could buy my first mountain bike with my own money.
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Further, there are things of which the mind understands one part, but remains ignorant of the other; and when man is able to comprehend certain things, it does not follow that he must be able to comprehend everything.
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Fallible characters are more interesting than superheroes in the end.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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The thing I don't like about detective stories is looking for criminals.
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I wonder, 'Why did I do that line that way?' And I also constantly think I'm fat and hate my teeth. But I've gotten better over the years. I've started to accept.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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I've always been able to just concoct a melody quite easily - it's just kind of instinct, really. You've got to channel your subconscious.
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In France, history is paralyzing.
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All creative people want to do the unexpected.
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What I discovered in Auschwitz is the human condition, the end point of a great adventure, where the European traveler arrived after his two-thousand-year-old moral and cultural history.
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This is the moment when we must come together to save this planet. Let us resolve that we will not leave our children a world where the oceans rise and famine spreads and terrible storms devastate our lands.
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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
