William Osler Quotes
Quotes to Explore
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I was unbelievably lucky.
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Johnny Carson was a mean-spirited human being. And there are people that he has hurt that people will never know about. And for some reason, at some point, he decided to turn that kind of negative attention toward me. And I refused to have it.
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I wanted to be a 150% entrepreneur and a 150% mom, and I found that I was having a very hard time doing both. I was about 75% and 75% - still better than 100%, but not what I was accustomed to at work.
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Weirdly, my nickname was Lady. I didn't get Stretch, or Stilts, or Spider Legs - I got Lady. I guess I was always a bit ladylike.
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There is no point in pointing fingers because there are three fingers pointing back at you.
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My first audition happened to be for 'Kindergarten Cop,' and I took that role. I was only starting to learn English at that point. Spanish is my first language, so they made me a speaking character in the movie. I didn't really know I was shooting a movie. I was just having a lot of fun with 30 kids my own age.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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It's a coincidence that most of the films I have done are to do with social causes.
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I was born abroad, but my parents were both English. Still, those few years of separation, and then coming back to England as an outsider, did give me an ability to see the country in a slightly detached way. I suppose I was made aware of what Englishness actually is because I only became immersed in it later in life.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
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I started playing in bars when I was about 15 years old, and there are things that I saw early on that really shaped who I am.
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The problem with independent films is that they can be hit or miss. I've seen scripts that have blown me away. But there have to be all the right ingredients in place to make them work: the director, cast, publicity, distribution.
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I am a self-critical perfectionist.
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I think being on a set where people aren't being treated as equals, and with just a common level of decency and respect, is really uncomfortable.
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I used to always buy clothes too big, but I should have showed off instead of covering up.
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It feels nice to be loved, but let me tell you there are 10 times more better looking, stylish and talented guys than me. So there's no solid reason for me to be proud! I don't think I have done anything extraordinary to change people's lives.
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I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
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The art market is global now, and there's becoming more of an international consensus about what constitutes good art.
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I will say that art may well be the only thing that lasts, so I guess it's worth trying.
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I collect candy packaging from around the world and believe it has the value of Pop Art.
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In New York there isn't that weird palpable competitive thing where it's friendly but everyone isn't trying to top one another with jokes when you're just hanging around.
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I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
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Medicine is a science of uncertainty and an art of probability.
