William Osler Quotes
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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I'm a huge fan of 'Heart On My Sleeve' - I think it has a 'Take That' feel to it! John Shanks and James Morrison wrote the track, and we spoke to Sony and asked if we could reference a 'Greatest Day'/'Rule The World' sound to make that epic ballad. I think it does the job.
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I'm a bit of a layman physics junkie. I don't really understand it, but I love trying to understand it.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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Fiji had experienced the ordeal of two military coups.
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I have a preference for film just because of the familiarity. It's what I know, and I sort of have nostalgia for it.
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The songs I've written that are the strongest, I'm like: 'I don't know where that came from. It just kind of popped out.' You feel you can't take a whole lot of credit for it. I didn't purposefully will it into existence.
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I'm not a business girl. I will never be a business girl, but I will say, for Anna Wintour, that I respect successful people; I like things that are success.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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Some cause happiness wherever they go; others whenever they go.
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A man notices a woman's figure when she walks in a room. Women have eight million words for blue; a man says dark blue or light blue.
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My neighbor doesn't want to be loved as much as he wants to be envied.
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Broadcasters or politicians or writers who think that they are respecting Struggle Street, the battlers, by dumbing things down into one-line sound bites are not respecting them, they are treating them with contempt. It's our job above all in politics to tackle the big issues and to explain them.
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I grew up in an era of pretty severe poverty. My parents weathered the Great Depression, and money was always a very big concern. I was weaned on a shortage mentality and placed in foster homes largely because there simply wasn't enough money to take care of the most basic of needs.
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Our music comes from our hearts - and it always has.
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You say something, things you would rather forget, and then they are out there. It makes me anxious and I don't know why people are interested in me anyway. If I had my way, I would rather exist in a little hole and not speak to anyone.
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An allegory is not meant to be taken literally. There is a great lack of comprehension on the part of some readers.
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There is light at the end of the tunnel for India, but it's that of an oncoming train which will run them over.
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One of the great lessons I learned about historical fiction from writing 'Loving Frank' is that you don't try to disguise what people did; my approach was to try to understand the characters and why they did what they did.
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There is so much focus on being self-sufficient, and it makes it very difficult to ask for things. I've been crippled by this notion of high-functioning self-sufficiency. And I see it a lot in younger girls. Asking for help brings people closer in a way that I suspected but didn't actually put into practice.
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Browseability is the key online.
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The task of the real intellectual consists of analyzing illusions in order to discover their causes.
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I think the aim - and certainly the aim of what I've tried to do since leaving - is not political and certainly not a witch hunt at individuals. It's to try to direct our attention at what I believe is a fundamental fault analysis that we must now examine.
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Beware of people who call you 'Doc.' They rarely pay their bills.
