William Penn Quotes
Quotes to Explore
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I'm probably a natural uncle. I can take the kids out and have fun with them and look after them, and I can be Mr. Popular. But actually having to do the grind? That stuff just doesn't appeal at all.
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Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
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The main thing for me is to make sure our home is peaceful, that it's healthy, that the kids are good.
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I was really a charmer; I was the guy who would get to the office, the principal would sit me down and within 10 minutes, we'd be, like, talking about some movies or something.
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No one rises so high as he who knows not whither he is going.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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With a popular show, you know that there's expectations there, so that's a little nerve-wracking when you're new and you're just trying to find your legs on something, but it's exciting, too, because that's what we work so hard for.
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I play on the left hand side, and I try to do the best I can.
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Over my career, I've had to do a lot of shows that involve stunts, and I so enjoy stunts.
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I loved 'Dirty Sexy Money.' That didn't have a long enough shelf life. I would've liked to explore that character and play with that cast longer. That was a lot of fun to shoot.
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Not everybody is a great rapper; not everybody lives for the art of lyricism.
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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The only routine with me is no routine at all.
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It seems that no two people came to this specialized area of work via the exact same route.
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Love is so unconditional; love liberates; love is the reason why I do what I do, and so I think it is the greatest gift we have.
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It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
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I'm just an actress. They try to give me as little information as possible.
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I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
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The atmosphere of Catholicism in Korea is quite different to the way it is practised and perceived in Europe or the U.S.
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What love is to man, music is to the arts and to mankind. Music is love itself - it is the purest, most ethereal language of passion, showing in a thousand ways all possible changes of color and feeling; and though true in only a single instance, it yet can be understood by thousands of men - who all feel differently.
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The sublime moment seems to be only a product of allowing yourself to get through, to get to a lot of stuff in your life, write about a lot of stuff and not edit yourself. That is a great lesson to learn for anybody that writes or creates in anyway, to be able to make something without being good or bad.
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If sentiment doesn't ultimately make fibbers of some people, their natural abominable memories almost certainly will.
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I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
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Nothing but a good life can fit men for a better one hereafter.
