William Penn Quotes
Quotes to Explore
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I'm probably a natural uncle. I can take the kids out and have fun with them and look after them, and I can be Mr. Popular. But actually having to do the grind? That stuff just doesn't appeal at all.
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Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
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The main thing for me is to make sure our home is peaceful, that it's healthy, that the kids are good.
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I was really a charmer; I was the guy who would get to the office, the principal would sit me down and within 10 minutes, we'd be, like, talking about some movies or something.
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No one rises so high as he who knows not whither he is going.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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With a popular show, you know that there's expectations there, so that's a little nerve-wracking when you're new and you're just trying to find your legs on something, but it's exciting, too, because that's what we work so hard for.
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I play on the left hand side, and I try to do the best I can.
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Over my career, I've had to do a lot of shows that involve stunts, and I so enjoy stunts.
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I loved 'Dirty Sexy Money.' That didn't have a long enough shelf life. I would've liked to explore that character and play with that cast longer. That was a lot of fun to shoot.
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Not everybody is a great rapper; not everybody lives for the art of lyricism.
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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The only routine with me is no routine at all.
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It seems that no two people came to this specialized area of work via the exact same route.
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Love is so unconditional; love liberates; love is the reason why I do what I do, and so I think it is the greatest gift we have.
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It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
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I'm just an actress. They try to give me as little information as possible.
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I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
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It's a bit startling to achieve global recognition before the age of 30 on account of your sister, your brother-in-law and your bottom. One day I might be able to make sense of this. In the meantime I think it's fair to say that it has its upside and its downside.
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I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there. You have to trust the director and react to nothing.
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I'm not a gay man, but I will say this: I get it now. I know what all the hype is about.
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Let me give you an idea of Fifties Britain. The war had ended ten years before, and most people had returned to their gardens and allotments hoping life would revert to how it was before the hostilities.
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Better it is toward the right conduct of life to consider what will be the end of a thing, than what is the beginning of it: for what promises fair at first may prove ill, and what seems at first a disadvantage, may prove very advantageous.
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Nothing but a good life can fit men for a better one hereafter.
