Isaac Bashevis Singer Quotes
I know as a writer how valuable a tool is the wastebasket. Perhaps God throws away many experiments before He finds the right expression. Perhaps we are the discards - or we could be the part He keeps. This mystery is what keeps us all going, to see what happens in the next chapter.
Quotes to Explore
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We need more people working in the publishing industry itself who are people of colour.
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If you are lucky enough to find something that you love, and you have a shot at being good at it, don't stop, don't put it down.
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I loved theatre and film when I was growing up in Harpenden, Hertfordshire. My mum's a reflexologist and my dad's a corporate financier.
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What I have is P.H. positive chronic myeloid leukemia, which is an aberration in your white blood cells.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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There is no better high than discovery.
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That is the definition of faith - acceptance of that which we imagine to be true, that which we cannot prove.
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Almost all our desires, when examined, contain something too shameful to reveal.
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But there's a huge blessing that comes from being a part of a show like 'The Cosby Show' that sets such a high standard of quality - it touched so many people on so many different levels.
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What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.
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I started breaking out of my shell in sophomore and junior year.
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There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.
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I love who I am and I love my life, but if I could be someone else, I'd be Beyonce in two seconds.
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We do have our finger on the pulse of the marketplace, if for no other reasons than having all these live events and listening to our audience all the time.
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Ours is an excessively conscious age. We know so much, we feel so little.
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I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
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And yet it moves.
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I'm an 'in the shower' or 'in the booth' kind of singer. I can sing, but I need either nobody to be able to hear me, or for me to be able to redo it.
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Obviously, I don't want to minimize the patriarchal nature of our media, our government and our culture as a whole. But I think it's our refusal as women to own our power that is our biggest problem, both individually and collectively. The linchpin that holds the current system in place is the slumber of women.
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I rarely get a moment to myself, but I love the way that my agenda is dictated by the children, not my work.
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As you get older, you start to really ask questions like, 'Is this the road I should be walking down?,' because every decision seems more final, as you get older.
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It's our responsibility for the village to say, 'Hey we're going to create these programs,' whether it's sports, creative arts, music, we need some things to give young people positive things to do, and that's including jobs.
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Wealth is the least trustworthy of anchors.
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I know as a writer how valuable a tool is the wastebasket. Perhaps God throws away many experiments before He finds the right expression. Perhaps we are the discards - or we could be the part He keeps. This mystery is what keeps us all going, to see what happens in the next chapter.
