William Plomer Quotes
It is a function of creative men to perceive the relations between thoughts, or things, or forms of expression that may seem utterly different, and to be able to combine them into some new form. Britten's Nocturne, for example, which unifies musically a group of poems by different hands, is a notable example of his power to connect the seemingly unconnected.
Quotes to Explore
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But what you realise after you've been in the business for a while is that people develop opinions about you that don't have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.
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I think that the mistakes that anyone can make going on dates is probably not being themselves because you can only trick people for so long.
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It is of course very difficult to see relations between America and Iran becoming increasingly tense and knowing that it is not the people of the countries but a subset of leaders and radicals that are causing such strife. I am hoping that the spirit of the people will triumph.
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We're not a nation divided: we're a nation broken, and anything broken can be fixed.
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I've always been in love with the States. When I was a kid, we would take these long summer holidays in Texas, Nashville, and all over. I fell in love with the people, the food, even the smell. You don't necessarily get that in old Europe.
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Africa is poor because its investors and its creditors are unspeakably rich.
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Nitric oxide was known for destroying things.
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While on top of Everest, I looked across the valley towards the great peak Makalu and mentally worked out a route about how it could be climbed. It showed me that even though I was standing on top of the world, it wasn't the end of everything. I was still looking beyond to other interesting challenges.
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It seems to me that Halloween is the perfect time to get all over steampunk.
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Most of the time I spend when I get up in the morning is trying to figure out what is going to happen.
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America is essentially an entrepreneurial culture: the sizzle is the steak, because, after all, if you buy the sizzle, the steak comes with it. Canada's, in contrast, is a primary-producing culture: we'll buy the steak and hope to get a little sizzle with it. But we know we can't eat sizzle.
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I take a grave view of the press. It is the weak slat under the bed of democracy.
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I never desperately wanted to be a jazz drummer. If anything, I was motivated a lot by fear. Fear of the conductor, fear of the future.
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I'm not the biggest Miley Cyrus fan. I'm not the risque type.
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I asked my mother could I have an instrument. She said, 'Well if you go out and save your money.' So I went and got - I made me a shine box. I went out and started shining shoes, and I'd bring whatever I made.
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When I was teaching English and trying to get kids passionate about reading, the most effective weapon I had was 'The Martian Chronicles.'
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I find out more about Jack every week. Essentially, I'm the same character, but I'm having more fun this season because I'm doing more aliases, you know. I like the surprise of not knowing.
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Einstein's results again turned the tables and now very few philosophers or scientists still think that scientific knowledge is, or can be, proven knowledge.
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Apple very deliberately - and this was very much Steve Jobs' point of view - Apple has concentrated its cloud efforts on being invisible. So in other words, stuff just would sync and appear. You change your contacts on one of your devices, and it would appear on all your devices changed.
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It is the first of all problems for a man to find out what kind of work he is to do in this universe.
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A stage actor has to be 10% aware of the audience as he's performing.
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No man lives without jostling and being jostled; in all ways he has to elbow himself through the world, giving and receiving offence.
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It is a function of creative men to perceive the relations between thoughts, or things, or forms of expression that may seem utterly different, and to be able to combine them into some new form. Britten's Nocturne, for example, which unifies musically a group of poems by different hands, is a notable example of his power to connect the seemingly unconnected.
