Mohsin Hamid Quotes
We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.
Quotes to Explore
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In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
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Obviously Hall & Oates wasn't overlooked by the masses in terms of the record sales.
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I think I'm very curious about other people. I like to sit and eavesdrop, you know.
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In Japan, the average age of agricultural workers is 65.8. When the aging of its population is accelerating so rapidly, it will be very difficult to sustain the sector whether we liberalize trade or not.
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Those who get stuck doing the same things for too long are bound to get left behind the strong who press on and re-invent themselves.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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So if I was dating somebody now and the relationship didn't work out, I'd take that as failing.
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I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive.
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The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
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Whether you call it Buddhism or another religion, self-discipline, that's important. Self-discipline with awareness of consequences.
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Consumerist ads brainwash us into individualist and egotistic self-love.
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No, there is literally nothing on the business side that I wouldn't sacrifice in a heartbeat to have an extra couple of hours' writing. Nothing.
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People always like people, you know?
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Nixon was kind of a loner, he had a cold personality.
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There's huge, massive mother ships going up to the Yukon. They've been filmed and are on video.
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The Egyptian officers informed me that I would be denied entry, and I was soon deported back to Yemen on the same plane on which I had arrived. The authorities gave me no clear answer why: They said that I knew the reason for my deportation better than them, and that my name had been blacklisted based on the request of a security body.
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People know me for my love of food, but I have so much more I want to share. Our show's going to be all about taking a bigger bite out of life. I want people to see themselves in this show because life is full of messes and successes, and getting there is half the fun.
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Knowing there is a capable back-up willing to give it a try always makes you feel better.
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I'm not somebody who no matter where I go there are paparazzi or any of that nonsense. But I have a little window into that world and I can enter it and dance around. I want to be the audience's ticket into the party.
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It's hard to get burned out or uninspired, man.
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The stories in 'Parenthood' are so much the stories of our lives. And the people who have worked on the show feel very connected to these characters.
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The goal of the FED, as with all central banks, is three-fold: (1) to protect the largest commercial banks from their depositors, who occasionally exercise their contractual right to withdraw currency (the ungrateful cads); (2) to control entry of newcomers into the bankers' cartel (interlopers); (3) to keep the stock market from collapsing in a panic, thereby persuading depositors to withdraw currency
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Everyone just keeps on disappearing. Some things vanish, like they were cut away. Others fade slowly into the mist. And all that remains is a desert.
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We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.
